What a Library Means to a Woman: Edith Wharton and the Will to Collect Books

Description

Examining the personal library and the making of self When writer Edith Wharton died in 1937, without any children, her library of more than five thousand volumes was divided and subsequently sold. Decades later, it was reassembled and returned to The Mount, her historic Massachusetts estate. What a Library Means to a Woman examines personal libraries as technologies of self-creation in modern America, focusing on Wharton and her remarkable collection of books. Sheila Liming explores the connection between libraries and self-making in late nineteenth- and early twentieth-century American culture, from the 1860s to the 1930s. She tells the story of Wharton’s library in concert with Wharton scholarship and treatises from this era concerning the wider fields of book history, material and print culture, and the histories (and pathologies) of collecting. Liming’s study blends literary and historical analysis while engaging with modern discussions about gender, inheritance, and hoarding. It offers a review of the many meanings of a library collection, while reading one specific collection in light of its owner’s literary celebrity. What a Library Means to a Woman was born from Liming’s ongoing work digitizing the Wharton library collection. It ultimately argues for a multifaceted understanding of authorship by linking Wharton’s literary persona to her library, which was, as she saw it, the site of her self-making.   Cover Half Titlte Title Copyright Dedication Contents ACKNOWLEDGMENTS INTRODUCTION 1. The Library as Space Self-Making and Social Endangerment in The Decoration of Houses and Summer 2. The Library as Hoard Collecting and Canonicity in The House of Mirth and Eline Vere 3. The Library as Network Affinity, Exchange, and the Makings of Authorship 4. The Library as Tomb Monuments and Memorials in Wharton’s Short Fiction CONCLUSION NOTES INDEX A B C D E F G H I J K L M N O P R S T U V W Y Z