Art and Masculinity in Post-War Britain: Reconstructing Home

Description

In this book, Gregory Salter traces how artists represented home and masculinities in the period of social and personal reconstruction after the Second World War in Britain. Salter considers home as an unstable entity at this historical moment, imbued with the optimism and hopes of post-war recovery while continuing to resonate with the memories and traumas of wartime. Artists examined in the book include John Bratby, Francis Bacon, Keith Vaughan, Francis Newton Souza and Victor Pasmore. Case studies featured range from the nuclear family and the body, to the nation. Combined, they present an argument that art enables an understanding of post-war reconstruction as a temporally unstable, long-term phenomenon which placed conceptions of home and masculinity at the heart of its aims. Art and Masculinity in Post-War Britain sheds new light on how the fluid concepts of society, nation, masculinity and home interacted and influenced each other at this critical period in history and will be of interest to anyone studying art history, anthropology, sociology, history and cultural and heritage studies. Cover......Page 1 Contents......Page 8 Figures......Page 9 Acknowledgements......Page 13 Series Preface......Page 15 Introduction: ‘Shaken by the Spirit of Reconstruction’......Page 16 1 John Bratby: Masculinity and Violence in the Post-War Home......Page 40 2 Francis Bacon: Queer Intimacy and Queer Spaces of Home......Page 68 3 Keith Vaughan: Bodies and Memories of Home......Page 94 4 Francis Newton Souza: Masculinity, Migration and Home......Page 124 5 Victor Pasmore: Abstraction and the Post-War Landscape of Home......Page 152 Conclusion: Gilbert & George and the Persistence of Reconstruction......Page 178 Notes......Page 187 Bibliography......Page 206 Index......Page 219