ENGLISH

Over and Over: Exploring Repetition in Popular Music

By Olivier Julien; Christophe Levaux (editors)

Book information

Publisher
Bloomsbury Academic
Year
2018
ISBN
9781501324888, 9781501324871, 9781501324895
Language
english
Format
PDF
Filesize
8 MB (8849356 bytes)
Pages
\210
Time added
2023-05-22 14:01:56

Description

From the Tin Pan Alley 32-bar form, through the cyclical forms of modal jazz, to the more recent accumulation of digital layers, beats, and breaks in Electronic Dance Music, repetition as both an aesthetic disposition and a formal musicological property has stimulated a diverse range of genres and techniques. After decades of riffs, loops, vamps, reiterated rhythmic patterns, pervasive harmonic formulae and recurring structural units in standardised song forms, the time came to give these notions the recognition they deserve in the study of popular music. Whether addressed from the angle of musicology, psychology, sociology or science and technology, Over and Over reassesses the complexity connected to notions of repetition in a variety of musical genres. This book will be the first edited volume on repetition in 20th- and 21st- century popular music. As such, it offers a multi-faceted view of the subject. The wide-ranging forms and use of repetition — from large repetitive structures to micro repetitions, and even to drones — are explored in relation to both specific and large-scale issues and contexts. Over and Over brings together a selection of original texts by leading authors in a field which is, as yet, little explored. Aimed at both specialists and neophytes, it aims to shed important new light on one of the fundamental phenomena of music of our times. Cover Half-title Title Copyright Contents List of Abbreviations and Contractions List of Musical Examples, Figures, and Tables Acknowledgments List of Contributors Preface Introduction: Play It Again (and Again), Sam Part One: Repetition as an Aesthetic Disposition 1. When the Music Stutters: Notes Toward A Symptomatology 2. Time and Time Again: Repetition and Difference in Repetitive Music 3. Toward an Alternative History of Repetitive Audio Technologies Part Two: Issues of Perception 4. Loops, Memories, and Meanings 5. Machine Possession: Dancing to Repetitive Beats 6. Repetition and Musical Meaning: Anaphonic Perspective in Connection with the Sonic Experience of Everyday Life Part Three: Repetition as a Structuring Device 7. From “Sectional Refrains” to Repeated Verses: The Rise of the AABA Form 8. Standard Jazz Harmony and the Constraints of Hypermeter:Some Thoughts on Regular and Irregular Repetition 9 .A Psychological Perspective on Repetition in Popular Music References Index

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