ENGLISH

The Subject of Crusade: Lyric, Romance, and Materials, 1150 to 1500

Book information

Publisher
Univ of Chicago Pr
Year
2020
ISBN
022669321X, 9780226693217
Language
english
Format
PDF
Filesize
6 MB (6420242 bytes)
Pages
302\323
Time added
2021-03-20 13:15:39

Description

In the Middle Ages, religious crusaders took up arms, prayed, bade farewell to their families, and marched off to fight in holy wars. These Christian soldiers also created accounts of their lives in lyric poetry, putting words to the experience of personal sacrifice and the pious struggle associated with holy war. The crusaders affirmed their commitment to fighting to claim a distant land while revealing their feelings as they left behind their loved ones, homes, and earthly duties. Their poems and related visual works offer us insight into the crusaders&; lives and values at the boundaries of earthly and spiritual duties, body and soul, holy devotion and courtly love. In The Subject of Crusade, Marisa Galvez offers a nuanced view of holy war and crusade poetry, reading these lyric works within a wider conversation with religion and culture. Arguing for an interdisciplinary treatment of crusade lyric, she shows how such poems are crucial for understanding the crusades as a complex cultural and historical phenomenon. Placing them in conversation with chronicles, knightly handbooks, artworks, and confessional and pastoral texts, she identifies a particular &;crusade idiom&; that emerged out of the conflict between pious and earthly duties. Galvez fashions an expanded understanding of the creative works made by crusaders to reveal their experiences, desires, ideologies, and reasons for taking up the cross.   Contents List of Illustrations Introduction. The Courtly Crusade Idiom Chapter One. The Unrepentant Crusader: The Figure of the Separated Heart Chapter Two. Idiomatic Movement and Separation in Middle High German and Occitan Crusade Departure Lyric Chapter Three. The Heart as Witness: Lyric and Romance Chapter Four. Lancelot as Unrepentant Crusader in the Perlesvaus Chapter Five. Three Ways of Describing a Crusader-Poet: Adjacency, Genre-Existence, and Performative Reconfigurations Chapter Six. The Feast of the Pheasant as Courtly Crusade Idiom Conclusion. Toward a More Complex View of Crusade Acknowledgments Notes Index

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