The Cultural Politics of Contemporary Hollywood Film: Power, Culture, and Society
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Adopting and developing a 'cultural politics' approach, this comprehensive study explores how Hollywood movies generate and reflect political myths about social and personal life that profoundly influence how we understand power relations. Instead of looking at genre, it employs three broad categories of film. 'Security' films present ideas concerning public order and disorder, citizen-state relations and the politics of fear. 'Relationalities' films highlight personal and intimate politics, bringing norms about identities, gender and sexuality into focus. In 'socially critical' films, particular issues and ideas are endowed with more overtly political significance. The book considers these categories as global political technologies implicated in hegemonic and 'soft power' relations whose reach is both deep and broad. Front matter Contents Foreword Acknowledgements Introduction: the cultural politics of popular film Frames PART I: SECURITY Security: order and disorder War and order Disorder and fear Fearsome monsters PART II: RELATIONALITIES Gender and intimate relationships Romance Bromance PART III: SOCIAL CRITIQUE Against the grain? Socially critical movies Questioning the critical PART IV: GLOBAL AGENDAS The big picture: the ‘metropole’ and peripheral ‘others’ Responses from ‘the margins’ References Filmography Index
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