ENGLISH

Theaters of Justice: Judging, Staging, and Working Through in Arendt, Brecht, and Delbo

By Yasco Horsman

Book information

Publisher
Stanford University Press
Year
2010
ISBN
080477031X, 978-0-8047-7031-6, 978-0-8047-7032-3
Language
english
Format
PDF
Filesize
1 MB (1226549 bytes)
Series
Cultural Memory in the Present
Pages
232\232
Time added
2015-12-23 22:00:00

Description

What role do legal trials have in collective processes of coming to terms with a history of mass violence? How does the theatrical structure of a criminal trial facilitate and limit national processes of healing and learning from the past? This study begins with the widely publicized, historic trials of three Nazi war criminals, Eichmann, Barbie, and Priebke, whose explicit goal was not only to punish, but also to establish an officially sanctioned version of the past. The Truth and Reconciliation commissions in South America and South Africa added a therapeutic goal, acting on the belief that a trial can help bring about a moment of closure. Horsman challenges this belief by reading works that reflect on the relations among pedagogy, therapy, and legal trials. Philosopher Hannah Arendt, poet Charlotte Delbo, and dramaturg Bertolt Brecht all produced responses to historic trials that reopened the cases those trials sought to close, bringing to center stage aspects that had escaped the confines of their legal frameworks.

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