ENGLISH

Suicide in East German Literature: Fiction, Rhetoric, and the Self-Destruction of Literary Heritage

Book information

Publisher
Camden House
Year
2017
ISBN
9781571135742, 157113574X
Language
english
Format
PDF
Filesize
5 MB (4933620 bytes)
Series
Studies in German Literature Linguistics and Culture
Pages
202\203
Time added
2022-09-24 09:00:40

Description

The many fictional suicides in the literature of the German Democratic Republic have been greatly misunderstood. The common assumption is that authoritarian oppression in East Germany led to an anomalous abundance of real suicides, so that fictional suicides in GDR literature constitute a simple, realistic reflection of East German society. Robert Blankenship challenges this assumption by providing both a history of suicide in GDR literature and close readings of individual texts, revealing that suicides in GDR literature, rather than simply reflecting historical suicides, contain rich literary attributes such as intertextuality, haunting, epistolarity, and unorthodox narrative strategies. Such literariness offered subversive potential beyond suggesting that real people killed themselves in a communist country. This first book-length study of fictional suicides in East German literature provides insight into the complex and dynamic rhetoric of the GDR. Blankenship's underlying claim is that GDR literature ought to be read as literature, with literary methodology, not despite the country's politically and rhetorically charged nature,but precisely because of it. Suicide in East German Literature will be of interest to scholars of GDR literature, humanities-oriented scholars of suicide, and those who are interested in the complex relationship between literature and history. Robert Blankenship is Assistant Professor of German at California State University, Long Beach. Frontcover Contents Acknowledgments Introduction: The Rhetoric of Suicide in East Germany 1: Suicide as an Antifascist Literary Trope: 1945–71 2: Suicide and the Fluidity of Literary Heritage: Ulrich Plenzdorf’s Die neuen Leiden des jungen W. 3: Remembering to Death: Werner Heiduczek’s Tod am Meer 4: Suicide and the Reevaluation of Classicism: Christa Wolf’s Kein Ort. Nirgends 5: Suicidal Voices: Heiner Müller’s Hamletmaschine and Sibylle Muthesius’s Flucht in die Wolken 6: Specters of Suicide: Christoph Hein’s Horns Ende Conclusion: The Reality of Fictional Suicides Epilogue: The Literariness of East German Literature Notes Bibliography Index

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