Industrial Networks and Cinemas of India: Shooting Stars, Shifting Geographies and Multiplying Media

Description

This volume points to the limits of models such as regional, national, and transnational, and develops ‘network’ as a conceptual category to study cinemas of India. Through grounded and interdisciplinary research, it shows how film industries located in disparate territories have not functioned as isolated units and draws attention to the industrial traffic – of filmic material, actors, performers, authors, technicians, genres, styles, sounds, expertise, languages, and capital, across trans-regional contexts -- since the inception of cinema. It excavates histories of film production, distribution and exhibition, and their connections beyond regional and national boundaries, and between places, industrial practices, and multiple media. The chapters in this volume address a range of themes such as transgressive female figures; networks of authors and technicians; trans-regional production links and changing technologies, and new media geographies.  By tracking manifold changes in the contexts of transforming media, and inter-connections between diverse industrial nodal points, this book expands the critical vocabulary in media and production studies and foregrounds new methods for examining cinema. A generative account of industrial networks, this volume will be useful for scholars and researchers of film studies, cinema studies, media studies, production studies, media sociology, gender studies, South Asian studies, and cultural studies. Cover Half Title Title Copyright Dedication Contents List of figures List of contributors Acknowledgements Introduction: detouring networks Part I The female star, traveling figures and transgressions 1 Fatma Begum, South Asia’s first female director: resurrections from media and legal archives 2 The ‘problem of respectable ladies joining films’: industrial traffic, female stardom and the first talkies in Bombay and Tehran 3 Sabita’s journey from Calcutta to Bombay: gender and modernity in the circuits of cinemas in India 4 Travels of the female star in the Indian cinemas of the 1940s and 50s: the career of Bhanumathi 5 Bringing bharatanatyam to Bombay cinema: mapping Tamil-Hindi film industry traffic through Vyjayanthimala’s dancing body Part II Networks of circulation, production, and imaginings 6 Film exhibition in Hyderabad in the 1930s: the case of Moti Mahal cinema and film circulation 7 Arriving at Bombay: Bimal Roy, transits, transitions, and cinema of intersection 8 Circumambient geographies of cinema: the Shaw Brothers’ Malay film production studios in mid-century Singapore 9 Filmfare, the Bombay industry, and internationalism (1952–1962) 10 Traversing The Evil Within (1970): transnational aspirations, stardom, and infrastructure in a cold-war Asia Part III Media geographies, agencies, and technologies 11 Habits and worlds: Malayalam cinema’s travels with the gulf 12 Celluloid visions in a video frame: Bhojpuri cinema between insurrections and catharsis 13 Mixing industrial elements, generating sexual agency in Aiyyaa 14 Blurring the boundaries between Hollywood and Bollywood: the production of dubbed films in Mumbai 15 Making-of videos: of placeless studios and pioneering music directors 16 Locating Mollywood: video industries, inter-regional media networks and the “located mobility” of Malegaon films Index