Art as the Absolute: Art’s Relation to Metaphysics in Kant, Fichte, Schelling, Hegel, and Schopenhauer
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No abstract. Cover Half-title Title Copyright Dedication Contents Preface Introduction: The Symposium on Art and the Absolute 1 Kant I: The Critique of Judgment 2 Kant II: The Critique of Teleological Judgment 3 Fichte: On the Spirit and the Letter in Philosophy 4 Schelling I: The System of Transcendental Idealism 5 Schelling II: The Philosophy of Art 6 Hegel: The Encyclopaedia and Lectures on Aesthetics 7 Schopenhauer: The World as Will and Representation Appendix: Nietzsche’s Wrath: Nietzsche’s Critique of the Kantian Absolute Bibliography Index
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