ENGLISH

A Cultural History of Theatre in the Age of Enlightenment

Book information

Publisher
Bloomsbury Academic
Year
2017
ISBN
1472585755, 9781472585752
Language
english
Format
EPUB
Filesize
9 MB (9605162 bytes)
Series
The Cultural Histories Series. A Cultural History of Theatre, 4
Volume
4
Pages
288\0
Topic
History
Time added
2023-07-16 09:28:33

Description

French philosopher Jean-Jacques Rousseau wrote, 'the general effect of the theatre is to strengthen the national character to augment the national inclinations, and to give a new energy to all the passions'. During the Enlightenment, the advancement of radical ideas along with the emergence of the bourgeois class contributed to a renewed interest in theatre's efficacy, informed by philosophy yet on behalf of politics. While the 18th century saw a growing desire to define the unique and specific features of a nation's drama, and audiences demanded more realistic portrayals of humanity, theatre is also implicated in this age of revolutions. 'A Cultural History of Theatre in the Age of Enlightenment' examines these intersections, informed by the writings of key 18th-century philosophers. Richly illustrated with 45 images, the ten chapters each take a different theme as their focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission. LIST OF ILLUSTRATIONS NOTES ON CONTRIBUTORS SERIES PREFACE EDITOR’S ACKNOWLEDGEMENTS Introduction: Theatre and the Enlightenment Matrix / Mechele Leon 1. Institutional Frameworks: The State, the Market and the People in the Age of Enlightenment / John O’Brien 2. Social Functions: Audiences and Authority / David Worrall 3. Sexuality and Gender: Changing Identities / Helen E. M. Brooks 4. The Environment of Theatre: Power, Resistance and Commerce / Mechele Leon 5. Circulation: Emergent Modalities of Intercultural Performance / Mita Choudhury 6. Interpretations: From Theatrephobia to a Theatrical ‘Science of Man’ / Logan J. Connors 7. Communities of Production: Eighteenth-Century Acting Companies / Deborah C. Payne 8. Repertoire and Genres: Cultural Logics and the Trick of Theatrical Longevity / Lisa A. Freeman 9. Technologies of Performance: Architecture, Scenery, Light / Pannill Camp 10. Knowledge Transmission: Theatrical Intelligence and the Intelligence of Theatre / Daniel O’Quinn NOTES BIBLIOGRAPHY INDEX

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