ENGLISH

Color and the Moving Image: History, Theory, Aesthetics, Archive

By Simon Brown (editor) , Sarah Street (editor) , Liz Watkins (editor)

Book information

Publisher
Routledge
Year
2012
ISBN
0415892635, 9780415892636
Language
english
Format
PDF
Filesize
5 MB (5143117 bytes)
Series
AFI Film Readers
Edition
1
Pages
270\289
Time added
2022-02-03 05:45:05

Description

This new AFI Film Reader is the first comprehensive collection of original essays on the use of color in film. Contributors from diverse film studies backgrounds consider the importance of color throughout the history of the medium, assessing not only the theoretical implications of color on the screen, but also the ways in which developments in cinematographic technologies transformed the aesthetics of color and the nature of film archiving and restoration. Color and the Moving Image includes new writing on key directors whose work is already associated with color―such as Hitchcock, Jarman and Sirk―as well as others whose use of color has not yet been explored in such detail―including Eric Rohmer and the Coen Brothers. This volume is an excellent resource for a variety of film studies courses and the global film archiving community at large. Front Cover Color and the Moving Image Copyright Page contents plates and figures acknowledgments introduction part one: history 1. “the brighton school and the quest for natural color” – redux 2. technicolor-multicolor-sennett-color: natural color processes in mack sennett comedies 1926–1931 3. color as image schema: technicolor number 3 in king of jazz (1930) 4. glorious agfacolor, breathtaking totalvision and monophonic sound: colour and “scope” in czechoslovakia 5. glorious and other adventures with prizma 6. the color of prometheus: thomas wilfred’s lumia and the projection of transcendence part two: theory 7. where do colors go at night? 8. “brash … indecent … libertine”: derek jarman’s queer colors 9. the hues of memory, the shades of experience: color and time in syndromes and a century 10. from psycho to pleasantville: the role of color and black-and-white imagery for fi lm experience part three: aesthetics 11. the illuminated fairytale: the colors of paul fejos’s lonesome (1928) 12. color unlimited: amateur color cinema in the 1930s 13. color and meaning in the films of eric rohmer 14. the cameraman and the glamour-puss: technicolor cinematography and design in john ford’s drums along the mohawk 15. chromo-drama: innovation and convention in douglas sirk’s color designs 16. color and containment: domestic spaces and restrained palettes in hitchcock’s first color films 17. color and meaning in marnie part four: archive 18. are my eyes really brown? the aesthetics of colorization in casablanca 19. “those men are not white!”: neuroscience, digital imagery and color in o brother, where art thou? 20. towards a more accurate preservation of color: heritage, research and the film restoration laboratory 21. herbert g. ponting’s materials and texts about the american film institute index

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