Space and Time in Artistic Practice and Aesthetics: The Legacy of Gotthold Ephraim Lessing
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When the Enlightenment thinker Gotthold Ephraim Lessing wrote his treatise Laocoon: An Essay on the Limits of Painting and Poetry in 1766, he outlined the strengths and weaknesses of each art. Painting was assigned to the realm of space; poetry to the realm of time. Space and Time in Artistic Practice and Aesthetics explores how artists since the eighteenth century up to the present day have grappled with the consequences of Lessing's theory and those that it spawned. As the book reveals, many artists have been - and continue to be - influenced by Lessing-like theories, which have percolated into the art education and art criticism. Artists from Jean Raoux to Willem de Kooning and Frances Bacon, and art critics such as Clement Greenberg, have felt the weight of Lessing's theories in their modes of creation, whether consciously or not. Should we sound the death knell for the theories of Lessing and his kind? Or will conceptions of temporality, spatiality and artistic competition continue to unfold? This book - the first to consider how Lessing's writings connect to visual art's production - brings these questions to the fore. Cover Author bio Endorsement Title page Copyright information Dedication Table of contents Contributors Acknowledgements List of figures Introduction Notes 1 Drawing the Line Raoux’s Paintings Lessing’s Theories Virtue and Vanity Ancient Vestals and Modern Virgins Raoux’s paintings and Lessing’s words Conclusion Notes 2 Bridging Space and Time Notes 3 Correcting Lessing’s Error E.H. Toelken The Venue and the Text Introduction: Art, History and Natural Laws Lessing: Right but also wrong Examples of Ancient Painting Ancient versus Modern Painting Conclusion Notes 4 The Temporality of Imitation in the Work of Moreau and Gérôme Notes 5 Painterly Myopia and the Main Ingredient Notes 6 Almost Notes 7 In the Body’s Space, the Body’s Time Notes 8 The Art of Becoming The Origins and Intent of Pull My Daisy Spontaneity and the Art of Becoming Robert Frank: No Beginning and No End Film and the Culture of Spontaneity The Poetry of a Home Movie Notes Conclusion
Limit-Imposing Systems
Sarah J. Lippert Bibliography Index
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