ENGLISH

Interpreting Modernism in Korean Art: Fluidity and Fragmentation

By Kyunghee Pyun; Jung-Ah Woo

Book information

Publisher
Routledge
Year
2021
ISBN
0429351119, 9780429351112
Language
english
Format
PDF
Filesize
23 MB (24384103 bytes)
Pages
\237
Time added
2021-09-30 14:34:26

Description

"This book examines the development of national emblems, photographic portraiture, oil painting, world expositions, modern space for art exhibitions, university programs of visual arts, and other agencies of modern art in Korea. With few books on modern art in Korea available in English, this book is an authoritative volume on the topic and provides a comparative perspective on Asian modernism including Japan, China, and India. In turn, these essays also shed a light on Asian reception of and response to the Orientalism and exoticism popular in Europe and North America in the early twentieth century. The book will be of interest to scholars working in art history, history of Asia, Asian studies, colonialism, nationalism, and cultural identity"-- Cover Half Title Series Page Title Page Copyright Page Table of Contents List of Illustrations Contributors Acknowledgments Introduction 1 Modernity, Modernism, and the Modern in Korean Art and Culture PART I Korean Modernity and Modernism 2 Korean Art in the Historiography of Multiple Modernisms 3 Modernist and Avant-Garde Art in Korea PART II Inventing a Modern Nation: Visual Culture at the Turn of the Century 4 The Search for Modernity in Korean Ink-Wash Painting 5 Royal Propaganda and National Identity in Emperor Gojong’s Portrait Photography 6 From Patriotism to Capitalism: Transformation of Korean National Symbols Under Colonial Rule PART III Visualizing Colonial Modernities 7 Modernity and Authenticity in Korean Pictorialism: From Pungsok Painting to Art Photography 8 “Vernacular Modernism” in Modern Korea: Lee Quede’s Hyangtosaek 9 Korea, Last Retreat in Wartime for Murayama Tomoyoshi, a Modernist PART IV Cultural Consumption and Modernism 10 Magazine Covers and Colonial Modernity: Politics of the Korean Face 11 Korean Modernists and the Nangnang Parlour Coffeehouse in the 1930s 12 A Cultural Network in 1930s Korea: Supporting Avant-Garde Practices and Individual Artistry PART V Modernism as Ideology: Revision and Appropriation 13 Architecture as a Profession in Modern Korea 14 Imitation or Necessity: A Framework for Postwar Korean Art in Contemporary Art Criticism 15 Never a Failed Avant-Garde: Interdisciplinary Strategy of the Fourth Group, 1969–1970 Epilogue 16 Contemporaneity of Korean Contemporary Art Selected Bibliography Glossary Index

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