Hanan al-Cinema: Affections for the Moving Image
Book information
Description
An examination of experimental cinema and media art from the Arabic-speaking world that explores filmmakers' creative and philosophical inventiveness in trying times. In this book, Laura Marks examines one of the world's most impressive, and affecting, bodies of independent and experimental cinema from the last twenty-five years: film and video works from the Arabic-speaking world. Some of these works' creative strategies are shared by filmmakers around the world; others arise from the particular economic, social, political, and historical circumstances of Arab countries, whose urgency, Marks argues, seems to demand experiment and invention. Grounded in a study of infrastructures for independent and experimental media art in the Arab world and a broad knowledge of hundreds of films and videos, Hanan al-Cinema approaches these works thematically. Topics include the nomadism of the highway, nostalgia for '70s radicalism, a romance with the archive, algorithmic and glitch media, haptic and networked space, and cinema of the body. Marks develops an aesthetic of enfolding and unfolding to elucidate the different ways that cinema can make events perceptible, seek connections among them, and unfold in the bodies and thoughts of audiences. The phrase Hanan al-cinema expresses the way movies sympathize with the world and the way audiences feel affection for, and are affected by, them. Marks's clear and expressive writing conveys these affections in works by such internationally recognized artists and filmmakers as Akram Zaatari, Elia Suleiman, Hassan Khan, Mounir Fatmi, and Joana Hadjithomas and Khalil Joreige, and others who should be better known. _----_(Intro) _----_(Contents) _----_(Series_Foreword) _----_(Acknowledgments) _----_(Introduction) _----_(1_Cinematic_Friendships) _----_(2_The_Language_of_Terrorism) _----_(3_Arab_Cinema_Unfolds) _----_(4_Mohamed_Soueid’s_Cinema_of_Immanence) _----_(5_Communism_Dream_Deferred) _----_(6_Can_Cinema_Slow_the_Flow_of_Blood_) _----_(7_Asphalt_Nomadism) Hanan_Al-Cinema_Affections_for_the_Moving_Image_----_(Pg_184--225) Hanan_Al-Cinema_Affections_for_the_Moving_Image_----_(Pg_226--229) _----_(9_Hala_Elkoussy) _----_(10_Hassan_Khan) _----_(11_Mounir_Fatmi) _----_(12_Algorithm_Decryption_Glitch) _----_(13_Images_in_Motion_from_Haptic_Vision_to_Networked_Space) _----_(14_Sherif_El_Azma_A_Cinema_of_Cruelty) _----_(15_What_Can_a_Body_Do_) _----_(Distributors) _----_(Notes) _----_(Index)
Similar books
The Fold: From Your Body to the Cosmos
2024 · PDF
Cinema at the Periphery
2010 · PDF
The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses
1999 · PDF
Touch: Sensuous Theory and Multisensory Media
2002 · PDF
MySQL® Notes for Professionals book
2018 · PDF
MrExcel 2022: Boosting Excel
2022 · PDF
MrExcel 2022: Boosting Excel
2022 · PDF
Session C11: Ancient Cultural Landscapes in South Europe – their Ecological Setting and Evolution, Session C22: Gardeners from South America, Session S04: Agro-Pastoralism and Early Metallurgy Sessions, Session WS29: The Idea of Enclosure in Recent Iberian Prehistory, Session C88: Rhytmes et causalites des dynamiques de l'anthropisation en Europe entre 6500 ET 500 BC: Hypotheses socio-culturelles et/ou climatiques: Proceedings of the XV UISPP World Congress (Lisbon 4-9 September 2006) / Actes du XV Congrès Mondial (Lisbonne 4-9 Septembre 2006) Vol.36
2010 · PDF