ENGLISH

The Post-industrial Landscape as Site for Creative Practice: Material Memory

By Gwen Heeney

Book information

Publisher
Cambridge Scholars Publishing
Year
2017
ISBN
1443899372, 9781443899376
Language
english
Format
PDF
Filesize
41 MB (43233207 bytes)
Pages
174\194
Time added
2023-03-14 12:28:20

Description

This book brings together experts in the fields of art history, visual arts, music, cultural geography, curatorial practice and landscape architecture to explore the role of material memory in the post-industrial landscape and the ways in which that landscape can act as a site for many forms of creative practice. It examines the role of material memory in the siting of public artworks and politically inspired installation art within the socio-economic post-industrial landscape. The post-industrial ruin as a place for innovation in the curatorial process is also investigated, as are social memory and the complexities of inscribing memory into places. A number of chapters focus on photography and its important role in recording memory as transformation, abandonment and erosion. Artists and musicians present personal case studies examining the siting of permanent and temporary artworks which can invoke memory of both culture and place. The land itself and its associated histories of post-industry are explored in artistic terms investigating dislocation, wasted spaces and extinction. Landscape architects and cultural geographers explore the aesthetic of the urban ruin, its natural and human ecologies and the re-wilding of urban spaces. The volume provokes discussion by a group of diverse experts on a very contemporary subject. CONTENTS List of Illustrations vii Acknowledgements xi Introduction xiii Gwen Heeney Chapter One: Remembering the Gorbals: Public Art and Memory in the Post-Industrial Landscape Venda Louise Pollock 1 Chapter Two: Creative Engagements with the Past, Aesthetics and Matter in Ruined Space Tim Edensor 17 Chapter Three: After Coal: Reclamation and Erasure in the Great North Coalfield Ian Thompson 27 Chapter Four: Post-Post-Industrial: Some Thoughts on Futureland, Photography and Landscape John Kippin 37 Chapter Five: Conjuring the Sonic Ghosts of Industrial and Post-Industrial Spaces Danny Bright 45 Chapter Six: Curating in the Post-Industrial Landscape—Case Study: Ambika P3 Michael Mazière 53 Chapter Seven: U(nu)sed and Abused: Social and Political Potentiality—Material, Manufacture and Abandoned Sites Andrew Livingstone 63 Chapter Eight: Risk, Edges and Making with Clay Megan Randall 67 Chapter Nine: The Creative Potential of the Post-Industrial Landscape David Jones 75 Chapter Ten: Blind Landings—Material Memory Jane and Louise Wilson 83 Chapter Eleven: Wastelands and Weeds: Spontaneous Vegetation and the Experience of Place in Contemporary Berlin Rowland Byass 93 Chapter Twelve: Buddleias and Bithooras Andrew Burton 101 Chapter Thirteen: Marl Hole Neil Brownsword 111 Chapter Fourteen: Material Matters: Landscape is Everything—Material, the Anthropocene and the Post-Industrial Landscape Nigel Morgan 123 Chapter Fifteen: Encounters with a Colliery Landscape Michele Allen 129 Chapter Sixteen: Notes on Material Memory in Post-Industrial Landscapes—Holding on, by letting go: Topographies of the Obsolete Anne Helen Mydland 135 Chapter Seventeen: Turnin’ My Heartbeat Up by Chloë Brown 145 Chapter Eighteen: Material Memory: Fumbling in the Debris by Jeremy Welsh 149 Chapter Nineteen: Shadow, Light and Reflectivity: Material and Metaphor in the Post-Industrial Landscape by Gwen Heeney 157 Contributors 165 Index 169

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