ENGLISH

Irish Modernisms: Gaps, Conjectures, Possibilities

By Paul Fagan; John Greaney; Tamara Radak (editors)

Book information

Publisher
Bloomsbury Academic
Year
2022
ISBN
9781350177369, 9781350177390, 9781350177376
Language
english
Format
PDF
Filesize
34 MB (35460270 bytes)
Pages
\279
Time added
2023-05-22 13:45:07

Description

Focusing on previously unexplored theoretical gaps, limitations, and fresh avenues of inquiry within the canon and scholarship of Irish modernism, this book interrogates marginalised and neglected figures and genres to develop a more attentive and fluid theoretical space in which to reflect upon the field. Probing Irish modernism’s responsiveness to contemporary theory beyond postcolonial and Irish studies, this book uses diverse paradigms including weak theory, biopolitics, posthumanism, and the nonhuman turn, to rethink Irish modernism’s organising themes: nationalism, martyrdom, war, state violence, prostitution, temporality, death, mourning. At the same time, cutting-edge work from queer theory and gender studies draws urgent attention to the too-often marginalised importance of women’s writing and queer expression to the Irish avant-garde. Foregrounding Irish modernist interfaces between visual, literary, musical, dramatic, cinematic, epistolary and journalistic media, this book focuses on writers, artists and cultural figures such as Hannah Berman, Eva Gore-Booth, Esther Roper, Forrest Reid, Mary Davenport O’Neill, Sheila Wingfield, Ethel Colburn Mayne, Edward Martyn, Jane Seosamh Ó Torna, and Máirtín Ó Cadhain. At the same time, this volume asks how consideration of Irish modernism through the diverse genres and movements of these neglected and liminal figures compels us to reconsider the position of the “major (Irish) modernists” - such as Synge, Yeats, Shaw, Joyce, O’Nolan, Beckett, MacGreevy, and Bowen - in this redrawn canon. Cover Half Title Title Copyright Contents Contributors Acknowledgements Introduction: Irish modernisms in the plural Part One Contested canons: Testing the limits of Irish modernism 1 Explaining ourselves: (John Brannigan) 2 A forgotten Irish modernist: (Elke D’hoker) 3 Melancholy modernism: (Lucy Collins) 4 Death and the nonhuman in Elizabeth Bowen’s fiction (Maureen O’Connor) 5 The languages of Irish modernism: (Eoin Byrne) Part Two Corporeal texts, discursive bodies: Biopolitical Irish modernisms 6 Irish skin: (Barry Sheils) 7 Irish modernism and Revivalism: (Seán Hewitt) 8 ‘Survival of the unfittest’: (Lloyd (Meadhbh) Houston) 9 Rhetorics of sacrifice: (Katherine Ebury) 10 ‘The ranks of respectability’: (Laura Lovejoy) 11 James Joyce and Samuel Beckett: (Cleo Hanaway-Oakley) Part Three Minor/major modes: Intermedial Irish modernisms 12 Letters and weak theory in Irish modernism (Maebh Long) 13 The machine in the (Holy) Ghost: (Jack Fennell) 14 Mechanical animals, flying men and educated monkeys: (Michael Connerty) 15 ‘The funeral of one’s past’: (Daniel Curran) 16 The full little jug: (Catherine Flynn) Bibliography Index

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