The History of French Literature on Film

Description

French novels, plays, poems and short stories, however temporally or culturally distant from us, continue to be incarnated and reincarnated on cinema screens across the world. From the silent films of Georges Méliès to the Hollywood production of Gustave Flaubert's Madame Bovary directed by Sophie Barthes, The History of French Literature on Filmexplores the key films, directors, and movements that have shaped the adaptation of works by French authors since the end of the 19th century. Across six chapters, Griffiths and Watts examine the factors that have driven this vibrant adaptive industry, as filmmakers have turned to literature in search of commercial profits, cultural legitimacy, and stories rich in dramatic potential. The volume also explains how the work of theorists from a variety of disciplines (literary theory, translation theory, adaptation theory), can help to deepen both our understanding and our appreciation of literary adaptation as a creative practice. Finally, this volume seeks to make clear that adaptation is never a simple transcription of an earlier literary work. It is always simultaneously an adaptation of the society and era for which it is created. Cover Half Title Series Title Copyright Page Contents Figures Acknowledgements Introduction 1 The currency of adaptation: Art and money in silent cinema (1899–1929) (Andrew Watts) 2 Who is adaptation? Interpersonal transactions in film (1927–39) (Kate Griffiths) 3 Politics, propaganda and the censored screen: Adapting French literature during the German Occupation (1940–44) (Andrew W 4 The formative function of the dominant film poetics: The impact of film movement, moment and genre (1945–70) ( Kate Griffit 5 The history of adaptation/adaptation and history (1970–2004) (Kate Griffiths) 6 Textual migration and adaptive diaspora: French literature adaptations beyond France (1996–2016) (Andrew Watts) Conclusion (Andrew Watts) Bibliography Index