Speedlights & Speedlites: Creative Flash Photography at Lightspeed
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Description
Canon Speedlites and Nikon Speedlights are small, off-camera flashguns that can provide big results - if you know how to use them properly. Acclaimed Boston photographers Lou Jones, Bob Keenan and Steve Ostrowski guide you through the technical and creative aspects of how to get the most out of these powerful tools in this indispensable guide, packed full of inspirational images and comprehensive diagrams of the lighting set ups used to capture them. They are significantly more advanced, lighter and considerably cheaper than a standard flashgun, and have many advantages. They are small (and cheap) enough that a number can be carried in your kit, and they can be used in combination, triggered wirelessly. They use through-the-lens (TTL) metering, which allows you to use the in-camera LCD and histograms to calculate the required power/direction, rather than havng to use a light meter or trial and error. They use proprietary, dedicated technology (from Canon and Nikon) that means there are no compatability issues. Getting the most out of them, however, remains a mystery - most photographers still just use their speedlights in the same way as a standard flash gun. This is where this book comes in. Speedlights and Speedlites: Creative Flash Photography at Lightspeed Copyright Page Contents Speed of Light Color Coding Key Ten Tenets of TTL Speedlights Introduction The Authors Chapter 1: One Light TTL Flash Electronic Flash: Definition Speedlight/Speedlite: Definition Fundamentals of Electronic Flash Comprehending Flash Exposure TTL Electronic Flash: Definition TTL Exposure System TTL Flash and Exposure: A Primer TTL Flash and Aperture TTL Flash and Distance Inverse Square Law TTL Flash and Subject Size TTL Flash and Shutter Speed: Synchronization TTL Flash: Flash Anatomy and Features Speedlight Components The LCD Measuring Light Understanding the Light Meter Stops, F/Stops, Exposure Value Histogram RGB Histogram Exposure Bias for Digital Middle Tonal Value Exposure Compensation Excessive Contrast Mastering Distance: Near and Far Main Light and Fill Light: Definitions Philosophy Light Characteristics of Light: Analysis and Decisions Quantity, Intensity, or Brightness Quality Contrast Color Color Spaces and the Color Triangle Direction Mixing TTL Flash with Available Light: Quantities of Light Available Light as Main TTL Flash as Fill TTL Flash as Main Available Light as Fill General Guidelines Balancing TTL Flash and Available Light: Colors of Light Bounce Flash: Direction and Quality of Light Moving Light Comprehending Directions of Bounce Flash Chapter 2: Two Lights Light Lighting Design Execute Review Postproduction Wireless Wireless TTL: Remote/Slave Flash Wireless TTL: Additional Trigger Devices Need Not Apply! Nikon SU-4 Mode Wireless TTL Transmitters: Master Wireless TTL Receivers: Remote/Slave Wireless TTL Communication: Line of Sight Wireless TTL: Remote/Slave ID Groups Wireless TTL: Channels Wireless TTL: Privacy Travel Wireless TTL: Basic Settings for Master and Slave Wireless TTL: Controlling Exposure and Contrast Manual Flash How It Works Flash LCD Wireless Manual Flash Mixing Speedlights with Studio Flashes Modifying Flash: Quality of Light Softboxes: Notes Equipment, Accessories, Products Equipment Batteries: Powering the Flash Battery Types: Power Decisions Accessories Summary Lighting Diagrams Index A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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