Gender and Media. Representing, Producing, Consuming

Description

Cover Half Title Title Page Copyright Page Table of Contents List of Figures Acknowledgements Introduction Gender Media Gender and Media Studies Structure of the Book Part I: Representing 1. Who is Represented? What are Representations? – Different Views, Different Research Represented Where? Representations and Reality? Conclusion 2. Subject Positions The Subject and Identity Identity and the Media Stereotypes What About Men? Representing Gender in a Global Context Gendered Genres Conclusion 3. Intertextual Representations Intertextuality Disrupting Gendered Representations As Queer As Queer Subject Positions Conclusion Part II: Producing 4. Who Produces What? Media Industries The Media Professional News Media Magazines Radio Television Film Music Industry Conclusion 5. Power and Gender in the Media Industry What is the Glass Ceiling? The Organisation of the Media Industry Glass Ceiling and Societal Structures Conclusion 6. Blurring Production New Media? Convergence Culture Produser What does Produsing Mean? Conclusion Part III: Consuming 7. Who Consumes What? Studying Audiences Effect Theories Cultivation Theory Uses and Gratifications Encoding/Decoding Conclusion 8. The Consumer Situated Identity and Frameworks of Knowledge Media Pleasures Gendered Pleasures Resistance Transnational Pleasures New Pleasures? Conclusion 9. Empowered Audiences What Is Sexualisation? The History of Sexualisation Commercialisation of Sexuality Girls’ Agency Productive Power of the Sexualisation Debate Conclusion Afterthoughts for the Future Glossary References Index