Subversive Pleasures: Bakhtin, Cultural Criticism, and Film
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Description
"Subversive Pleasures" offers the first extended application of Mikhail Bakhtin's critical methods to film, mass-media, and cultural studies. With extraordinary interdisciplinary and multicultural range, Robert Stam explores issues that include the "translinguistic" critique of Saussurean semiotics and Russian formalism, the question of language difference in the cinema, issues of national culture in Latin America, and "the carnivalesque" in literature and film. He discusses literary works by Rabelais, Shakespeare, and Jarry and treats films by Vigo, Buñuel, Wertmüller, Imamura, Mel Brooks, Monty Python, Marleen Gooris, and others. Now in paperback, "Subversive Pleasures" is a splendidly lucid introduction to the central concepts and analytical methods of Bakhtin and the Bakhtin circle. Acknowledgments xi Introduction 1 1. Translinguistics and Semiotics 26 2. Language, Difference, and Power 57 3. Film, Literature, and the Carnivalesque 85 4. Of Cannibals and Carnivals 122 5. The Grotesque Body and Cinematic Eroticism 157 6. From Dialogism to "Zelig" 187 Envoi: Bakhtin and Mass-Media Critique 219 Notes 241 Index 259
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