Thinking the Sculpture Garden: Art, Plant, Landscape

Description

This innovative book poses two, deceptively simple, questions: what is a sculpture garden, and what happens when you give equal weight to the main elements of landscape, planting and artwork? Its wide-ranging frame of reference, including the USA, Europe and Japan, is brought into focus through Tremenheere Sculpture Garden, Cornwall, with which the book begins and ends. Effectively less than 15 years old, and largely the work of one man, Tremenheere affords an opportunity to examine as work-in-progress the creation of a new kind of sculpture garden. Including a historical overview, the book traverses multiple ways of seeing and experiencing sculpture gardens, culminating in an exploration of their relevance as 'cultural ecology' in the context of globalisation, urbanisation and climate change. The thinking here is non-dualist and broadly aligned with New Materialisms and Material Feminisms to explore our place as humans in the non-human world on which we depend. Eminent contributors, including John Dixon Hunt, George Descombes, Bernard Lassus and David Leatherbarrow, approach these issues through practices and theories of landscape architecture; garden and art making; history and writing; and philosophy. Richly illustrated with over 100 images, including a colour plate section, the book will primarily appeal to those engaged in professional or academic research, along with sculpture garden visitors, who will find new and surprising ways of experiencing plants and art in natural and urban settings. Cover Half Title Title Page Copyright Page Table of Contents Contributors’ biographies Acknowledgments Note on method: Diffracting the sculpture garden Notes References Introduction: The ground Notes References PART I: Tremenheere sculpture garden 1. Tremenheere: Place of the long stones Notes References 2. The seed in the stone: Peter Randall-Page’s exploration of energetic structure Notes References 3. Mono-ha: Paying attention: Japanese art in/of the garden Notes References PART II: Placing history in/of the garden 4. Sculpture gardens and sculpture in gardens Some early history New conventions and materials Time and movement Triggers and prompts Meanings and sites, and genius loci Four new approaches Notes 5. The garden: Art object Note 6. From pedestal to place A museum without walls Landscape configuration Landscape movement Putting works in their place: viewing distance, viewing angle, scale Pedestals Platforms Places Notes 7. Little Sparta: The neo-classical re-arming of the sculpture garden Notes 8. How to make a path: The Swiss Way project, 1991 The project The artists involved Richard Long Carmen Perrin Max Neuhaus References PART III: Return to Tremenheere 9. Landscape, art, plant, event Notes References 10. Conclusion: The art of the plant; the art of the earth (far other worlds) Notes References Appendix: Tremenheere plant list and map Bibliography Index