ENGLISH

Entertaining the Third Reich: Illusions of Wholeness in Nazi Cinema

Book information

Publisher
Duke University Press
ISBN
0822318245, 9780822318248
Language
english
Format
PDF
Filesize
23 MB (24572149 bytes)
Pages
347\363
Time added
2020-05-04 23:13:46

Description

Taking a look at Nazi cinema, this book examines Nazi films as movies that contain propaganda rather than as propaganda vehicles that happen to be movies. It is of interest to scholars involved in the study of cinema, popular culture, Nazism and Nazi art, the workings of fascist culture, and the history of modern ideology. Contents List of Illustrations Preface Introduction Chapter 1. Mass Spectacle, History, Cinema: Embodiments of Social Fantasy Part I. Two Sides of a Coin: The "Jew" and the King as Social Fantasies Chapter 2. Courtier, Vampire, or Vermin? Jew Suss's Contradictory Effort to Render the "Jew" Other Chapter 3. Frederick, the Movie; or, The Return of the King's Body: Fridericus and The Great King Chapter 4. Building the Body Armor: Hans Steinhoff's The Old and the Young King Part II. Aestheticized Genius Chapter 5. Duel over the Son: Herbert Maisch's Friedrick Schiller - Triumph of a Genius Chapter 6. Anomaly or "Facist Delusion of Female Autonomy"? Pabst's Neuberin Film Komodianten Chapter 7. Tribulations of a Genius: Traugott Muller's Friedemann Bach Part III. Beyond the Eighteenth Century Chapter 8. Vicious Circulation: Money and Foreignness in Nazi Film Movies about Money: Hans Zerlett's Robert and Bertram and Karl Hartl's Gold Foreign Contamination: Hitler Youth Quex, Hans Westmar, S.A. Man Brand, For Human Rights, and Pour le Merite Chapter 9. Nazism and Machines Industry: Veit Harlan's The Ruler and Gerhard Lamprecht's Diesel Radio and the Homefront: Eduard von Borsody's Request Concert and Rolf Hansen's The Great Love Chapter 10. Of Lies and Life: Munchhausen's Narrative Arabesque Select Bibliography Filmography Index

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