Deviant modernism: sexual and textual errancy in T.S. Eliot, James Joyce, and Marcel Proust
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Description
Introduction 1. Straightening out literary criticism: T. S. Eliot and error 2. The end of poetry for ladies: T. S. Eliot's early poetry 3. Text of error, text in error: James Joyce's Ulysses 4. Sexual/textual inversion: Marcel Proust Conclusion.
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