ENGLISH

Sound Affects: A User's Guide

By Sharon Jane Mee , Luke Robinson

Book information

Publisher
Bloomsbury Academic
Year
2022
ISBN
1501388886, 9781501388880
Language
english
Format
PDF
Filesize
37 MB (38372433 bytes)
Series
Thinking Media
Pages
304\305
Time added
2022-12-29 11:02:47

Description

Sound Affects: A User’s Guide is a collection of sonically-charged concepts ranging from the vocal (whispers, sing, disembodied voice), to sounds at the threshold (knocking, thump, buzz), to sounds beyond the limits of audibility (tremors, distortion, sub-bass). Taking Yve-Alain Bois and Rosalind E. Krauss’s Formless: A User’s Guide (1997) as a model, Sound Affects invites the reader to reflect on the ways that sounds produce affects and the ways that affects can operate as sound. Each of the essays develops a particular perspective on sound and affect through a close analysis of audio-visual and/or sonic objects. The objects chosen not only illustrate the concept in question but also demonstrate how the object encourages us to rethink the relationships between sounds and affects. Influenced by the sound theory of Eugenie Brinkema (2011), the concepts of Sound Affects plot the shift in volume from silence that opens up a space to be heard to the audibly near, from the audibly near to sounds beyond the limits of audibility. Sound Affects is an intellectual adventure for those who theorize and listen. The book can also be enjoyed as a narrative of sounds, its absences, and its shifting intensities. Half Title Series Page Title Page Copyright Page Contents Illustrations Contributors Acknowledgements The clatter and clang of sound affects Part I: Start, stop, repeat Chapter 1: Silence Chapter 2: Shuffle Chapter 3: The oriental riff Part II: Voices and vocals Chapter 4: aa ee ii oo uuuuu Chapter 5: Sympathetic response Chapter 6: Whispers Chapter 7: Sing Chapter 8: The disembodied voice Part III: Threshold sounds Chapter 9: Tin/ny Chapter 10: Vroom Chapter 11: Thump Chapter 12: Buzz Part IV: Beyond audibility Chapter 13: Inaudible tremors Chapter 14: Distortion Chapter 15: Feedback Chapter 16: Sub-bass Chapter 17: Squish, squelch, shlshlshlurpppp Bibliography Mediography Index

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