BRIDGING PEOPLE AND SOUND : 13th international symposium, cmmr 2016, sao
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This book constitutes the thoroughly refereed post-conference of the 12th International Symposium on Computer Music Modeling and Retrieval, CMMR 2016, held in São Paulo, Brazil, in July 2016. The 22 full papers presented were carefully reviewed and selected from 40 submissions. This year’s conference theme “Bridging People and Sound” aimed at encouraging contributions from artists and listeners on the one side and audio and music technology researchers on the other. Front Matter ....Pages I-XI Front Matter ....Pages 1-1 deepGTTM-I&II: Local Boundary and Metrical Structure Analyzer Based on Deep Learning Technique (Masatoshi Hamanaka, Keiji Hirata, Satoshi Tojo)....Pages 3-21 Melody and Rhythm Through Network Visualization Techniques (Guillaume Blot, Pierre Saurel, Francis Rousseaux)....Pages 22-40 Music Generation with Relation Join (Xiuyan Ni, Ligon Liu, Robert Haralick)....Pages 41-64 The Framework of Copista: An OMR System for Historical Music Collection Recovery (Marcos Laia, Flávio Schiavoni, Daniel Madeira, Dárlinton Carvalho, João Pedro Moreira, Júlio Resende et al.)....Pages 65-87 Front Matter ....Pages 89-89 Recent Findings on Sound and Posture: A Position Paper (Lennie Gandemer, Gaëtan Parseihian, Christophe Bourdin, Richard Kronland-Martinet)....Pages 91-108 Eluding the Influence of Postural Constraints on Cellists’ Bowing Movements and Timbral Quality (Jocelyn Rozé, Richard Kronland-Martinet, Mitsuko Aramaki, Christophe Bourdin, Sølvi Ystad)....Pages 109-124 Eclipse: A Wearable Instrument for Performance Based Storytelling (Ezgi Ucar)....Pages 125-133 Front Matter ....Pages 135-135 Sound Interaction Design and Creation in the Context of Urban Space (Julián Jaramillo Arango)....Pages 137-149 Increasing Pleasantness and Security Using 3D-Sound Design in Public Transport (Gaëtan Parseihian, Christophe Bourdin, Vincent Bréjard, Richard Kronland-Martinet)....Pages 150-168 Front Matter ....Pages 169-169 Using Pure Data for Real-Time Granular Synthesis Control Through Leap Motion (Damián Anache)....Pages 171-179 Angkasa: A Software Tool for Spatiotemporal Granulation (Muhammad Hafiz Wan Rosli, Andres Cabrera)....Pages 180-191 User Experience in an Interactive Music Virtual Reality System: An Exploratory Study (Thomas Deacon, Tony Stockman, Mathieu Barthet)....Pages 192-216 Front Matter ....Pages 217-217 VORPAL: An Extensible and Flexible Middleware for Real-Time Soundtracks in Digital Games (Wilson Kazuo Mizutani, Fabio Kon)....Pages 219-228 New Atlantis: Audio Experimentation in a Shared Online World (Peter Sinclair, Roland Cahen, Jonathan Tanant, Peter Gena)....Pages 229-246 Estilhaço 1 and 2: Conversations Between Sound and Image in the Context of a Solo Percussion Concert (Fernando Rocha, Eli Stine)....Pages 247-255 Front Matter ....Pages 257-257 The Qualities of the Perceived Sound Forms: A Morphological Approach to Timbre Composition (Danilo Rossetti)....Pages 259-283 Event-Based Ubiquitous Music Interaction with MCMM: A Musical Communication Modeling Methodology (Flávio Luiz Schiavoni)....Pages 284-298 Front Matter ....Pages 299-299 A Virtual Musical Instrument for 3D Performance with Short Gestures: Exploring Mapping Strategies with Virtual Reality (André Montes Rodrigues, Marcelo Knorich Zuffo, Olavo da Rosa Belloc, Regis Rossi Alves Faria)....Pages 301-315 Using Sound to Enhance Taste Experiences: An Overview (Felipe Reinoso Carvalho, Abdellah Touhafi, Kris Steenhaut, Raymond van Ee, Carlos Velasco)....Pages 316-330 Revolt and Ambivalence: Music, Torture and Absurdity in the Digital Oratorio The Refrigerator (Paulo C. Chagas)....Pages 331-346 Dynamic Mapping Strategies Using Content-Based Classification: A Proposed Method for an Augmented Instrument (Gabriel Rimoldi, Jônatas Manzolli)....Pages 347-356 Prynth: A Framework for Self-contained Digital Music Instruments (Ivan Franco, Marcelo M. Wanderley)....Pages 357-370 Back Matter ....Pages 371-371
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