ENGLISH

21st Century Guitar: Evolutions and Augmentations

Book information

Publisher
Bloomsbury Academic
Year
2023
ISBN
9781501373299, 9781501373329, 9781501373312
Language
english
Format
PDF
Filesize
19 MB (20115961 bytes)
Pages
\297
Time added
2023-05-22 02:59:24

Description

In the 21st century the guitar takes more physical forms than ever before. Ranging from relatively simple adaptions/modifications of existing instruments to custom-made specialist models; from multiple necks and additional strings to the removal or supplementation of frets; from on-board processing units to external synergies with technology, the guitar’s physical identity is in an exponential state of flux, raising many important questions: What are the reasons behind such myriad preparations, evolutions and augmentations? Is musicianship at the epicentre of developments; do trends in fashions, idiomatic conventions, and/or ‘gimmicks’ have a role to play? This collection comprises an assortment of contributions from performers, academics, and practitioners which examine the diverse physical manifestations of the guitar across the modern performative landscape and explore the creative possibilities these new forms afford. Musicological insights spanning performance practice, contemporary organology, and technological augmentation are interwoven with interviews featuring leading practitioners from an array of performance cultures. Half Title Title Page Copyright Page Contents Figures Contributors Acknowledgements Introduction Chapter 1: The well-tuned guitar Chapter 2: Transforming the microtonal fingerboard: ‘Small’ frets, LEGO and robots: Interview with Tolgahan Çoğulu Chapter 3: The expanding fretless guitarscape: Practice and progress Chapter 4: Touching the apple without gloves: Interview with Cenk Erdoğan Chapter 5: Extended range instruments: Towards a new organology of the guitar Chapter 6: I should have just learned how to play the organ: Interview with Charlie Hunter Chapter 7: The transformed space of the ‘Ligeti Guitar’ Chapter 8: Grains, glitches and infinite space: Guitar effects pedals, digitization and textural guitar aesthetics Chapter 9: The sonic maelstrom: Interview with Nels Cline Chapter 10: ‘Something seems wrong, should that be happening?’: Avantfolk guitar and glitch aesthetics, a practice-based perspective Chapter 11: A field of reactivity: Moog guitar and experimental systems: Interview with Bill Thompson Chapter 12: The digital fretboard: Remapping and relearning the guitar’s pitch matrix with MIDI and Max/MSP Chapter 13: Augmented reality guitars: Extended instruments and notation for a 21st-century practice Index

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