ENGLISH

Surveillance in Asian Cinema: Under Eastern Eyes

By Karen Fang (editor)

Book information

Publisher
Routledge
Year
2017
ISBN
1138125148, 9781138125148
Language
english
Format
PDF
Filesize
3 MB (3559355 bytes)
Series
Routledge Advances in Film Studies
Edition
1
Pages
296\296
Time added
2021-12-05 01:40:10

Description

Critical theory and popular wisdom are rife with images of surveillance as an intrusive, repressive practice often suggestively attributed to eastern powers and opposed to western liberalism. Hollywood-dominated global media has long promulgated a geopoliticized east-west axis of freedom vs. control. This book focuses on Asian and Asia-based films and cinematic traditions obscured by lopsided western hegemonic discourse and―more specifically―probes these films’ treatments of a phenomenon that western film often portrays with neo-orientalist hysteria. Exploring recent and historical movies made in post-social and anti-Communist societies such as China, Hong Kong, Taiwan, Vietnam and South Korea, the book picks up on the political and economic concerns implicitly underlying Sinophobic and anti-Communist Asian images in Hollywood films while also considering how these societies and states depict the issues of centralization, militarization and technological innovation so often figured as distinctive of the difference between eastern despotism and western liberalism. Cover Half Titel Title Page Copyright Page Contents List of Figures Acknowledgments Introduction: Asian Cinema and the Surveillance Archipelago PART I: Cold War 1 The Might of the People: Counter-Espionage Films and Participatory Surveillance in the Early PRC 2 Closely Watched Films: Surveillance and Postwar Hong Kong Leftist Cinema 3 The Dis/appearance of Animals in Animated Film during the Chinese Cultural Revolution, 1966–1976 PART II: Market Reform 4 Under Western Eyes? Colonial Bureaucracy, Surveillance, and the Birth of the Hong Kong Crime Film 5 Taiwan’s Cold War Geopolitics in Edward Yang’s The Terrorizers 6 Sovereignty, Surveillance and Spectacle in The Saigon Fabulous Four 7 Sonic Secrets as Counter-Surveillance in Wong Kar-wai’s In the Mood for Love PART III: Global Capital 8 Dividuated Korean Cinema: Recent Body Switch Films in the Overwired Age 9 Implication through Dissociation: Cinematic Enactment Tactics of State Surveillance in Cold Eyes 10 Wasted! Power versus Civilization in a Martial Arts Action Movie, Viewed with Indonesian/Western Eyes 11 Discreet Camera-Eye, Spectacle, and Stranger Sociality: On the Shift to Prosumer Digital Surveillance in China List of Contributors Index

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