ENGLISH

Lockdown Shakespeare: New Evolutions in Performance and Adaptation

Book information

Publisher
The Arden Shakespeare
Year
2022
ISBN
9781350247802, 9781350247833, 9781350247826
Language
english
Format
PDF
Filesize
2 MB (2382564 bytes)
Pages
\297
Time added
2023-05-22 03:39:30

Description

This edited collection offers the first in-depth analysis and sourcebook for ‘lockdown Shakespeare’. It brings together scholars of stage, screen, early modern and adaptation studies to examine the work that emerged during the COVID-19 pandemic of 2020 and considers issues of form, liveness, reception and community. Interviews with theatre makers and artists illuminate the challenges and benefits of creating new work online, while educators consider how digital tools have facilitated the teaching of Shakespeare through performance. Together, the chapters in this book offer readers the definitive work on the evolution and adaptation of Shakespeare online during the global pandemic. From The Show Must Go Online, which presented the entire canon via YouTube, to Creation Theatre’s interactive The Tempest and Macbeth, which used Zoom as their stage, the book documents the variety and richness of work that emerged. It reveals how, by taking Shakespeare online in new and innovative ways, the theatre industry sparked the evolution of new forms of performance with their own conventions, aesthetics and notions of liveness. Such work also opened up possibilities for international collaboration, with many productions involving casts spread across several countries and attracting audiences located around the world. Productions discussed include TSMGO’s The Winter’s Tale, Arden Theatre Company’s A Midsummer Night’s Dream and Matthew Warcus’s In Camera: Lungs. Cover Contents List of Illustrations Notes on Contributors Acknowledgements Note on the Text Glossary Introduction: Cultural Cartography of the Digital Lockdown Landscape Gemma Kate Allred and Benjamin Broadribb Part One: Analyses 1 The Screen Language of Lockdown: Connection and Choice in Split-Screen Performance John Wyver 2 Lockdown Shakespeare and the Metamodern Sensibility Benjamin Broadribb 3 Notions of Liveness in Lockdown Performance Gemma Kate Allred 4 Creation Theatre and Big Telly’s The Tempest: Digital Theatre and the Performing Audience Pascale Aebischer and Rachael Nicholas 5 Immersion in a Time of Distraction: ‘The Under Presents: Tempest’ Erin Sullivan 6 What You Will in the Time of Covid-19: Exploring the Digital Arts, Race and Flexible Resistance David Sterling Brown and Ben Crystal Part Two: Case Studies 7 ‘Shakespeare for everyone’ The Show Must Go Online in conversation with
Gemma Kate Allred and Benjamin Broadribb 8 Ricardo II: una producción bilingüe de Merced Shakespearefest William Wolfgang and Erin Sullivan 9 ‘Your play needs no excuse’ CtrlAltRepeat in conversation with Gemma Kate
Allred and Benjamin Broadribb 10 ‘Are we all met?’: Responding to Shakespeare’s Canon through Online Community Performance Jennifer Moss Waghorn, Katrin Bauer, Sarah
Hodgson, Diane Lowman, Kathryn Twigg and
Martin Wiggins 11 ‘Present fears are less than horrible imaginings’ Big Telly Theatre Company in conversation with
Gemma Kate Allred and Benjamin Broadribb 12 Teaching Shakespearean Performance in Lockdown Andrew James Hartley, Sarah Hatchuel and Yu
Umemiya in conversation with Erin Sullivan Part Three Lockdown Digital Arts: An Extended Year in Review Gemma Kate Allred, Benjamin Broadribb and
Erin Sullivan Spring Summer Autumn Winter/Spring Conclusion: Shakespeare after Lockdown Erin Sullivan Index

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