Theater State and the Formation of Early Modern Public Sphere in Iran: Studies on Safavid Muharram Rituals, 1590–1641 CE

Description

During the Safavid period, the Shi'i Muharram commemorative rites which had been publically practiced since the 7th century, became a manifestation of state power. Already during the reign of Shah 'Abbas I (1587-1629) the Muharram rituals had transformed into an extraordinary rich repertoire of ceremonies and ceremonial spaces that can be defined as 'theater state'. Under Shah Safi I (1629-1642) these ceremonies ultimately led to carnivalesque celebrations of misrule and transgression. This first systematic study of a wide range of Persian and European archival and primary sources, analyzes how the Muharram rites changed from being an originally devotional practice to an ambiguous ritualization that in combination with other public arenas, such as the bazaar, coffeehouses or travel lodges, created distinct spaces of communication whereby the widening gap between state and society gave way to the formation of the early Iranian public sphere. Ultimately, the Muharram public spaces allowed for a shift in individual and collective identities, opening the way to multifaceted living fields of interaction, as well as being sites of contestation where innovative expressions of politics were made. In particular, the construction of the new Isfahan in 1590 is linked with the widespread proliferation of the Muharram mortuary rites by discussing rituals performed in major urban spaces. Theater State and the Formation of Early Modern Public Sphere in Iran......Page 3 Contents......Page 5 Note on Transliteration and Dates......Page 6 Preface......Page 7 Acknowledgments......Page 15 Introduction......Page 17 Part One......Page 44 Chapter One The Carnivalesque Paradigm: Muharram as Transgression......Page 45 Chapter Two The Carnivalesque Public: Beyond Habermas......Page 96 Part Two......Page 152 Chapter Three The Safavids in the Transcultural Context......Page 153 Chapter Four A History of (Safavid) Muharram Rituals......Page 210 Chapter Five Necro-Public and the Safavid Ritual Theater State: City, Social Death, and Power......Page 246 Chapter Six Spaces of Misrule: The Carnivalesque Safavid-Isfahani Muharram......Page 283 Chapter Seven Conclusion: The Isfahani Public Sphere......Page 331 Primary Sources (Arabic, European Travel Reports, and Safavid Sources)......Page 338 Secondary Sources......Page 340 Index......Page 374