ENGLISH

Transnational Horror Across Visual Media: Fragmented Bodies

By Dana Och , Kirsten Strayer (editors)

Book information

Publisher
Routledge
Year
2013
ISBN
2013016628, 9780415821247, 9780203567791, 041582124X
Language
english
Format
PDF
Filesize
3 MB (2643710 bytes)
Series
Routledge Research in Cultural and Media Studies; 55
Edition
1
Pages
266\267
Time added
2021-12-14 11:27:37

Description

This volume investigates the horror genre across national boundaries (including locations such as Africa, Turkey, and post-Soviet Russia) and different media forms, illustrating the ways that horror can be theorized through the circulation, reception, and production of transnational media texts. Perhaps more than any other genre, horror is characterized by its ability to be simultaneously aware of the local while able to permeate national boundaries, to function on both regional and international registers. The essays here explore political models and allegories, questions of cult or subcultural media and their distribution practices, the relationship between regional or cultural networks, and the legibility of international horror iconography across distinct media. The book underscores how a discussion of contemporary international horror is not only about genre but about how genre can inform theories of visual cultures and the increasing permeability of their borders. Cover Original Title Title Copyright Contents List of Figures Introduction PART I Spectres of History 1 Ghastly Transmissions: The Horror of Connectivity and the Transnational Flow of Fear 2 Desire for the Past: The Supernaturalization of Yatsuhaka-mura 3 High Stakes: The Vampire and the Double in Russian Cinema PART II Trans(gressing) Genre and Media 4 Dark Monarchs: Gothic Landscapes in Contemporary British Culture 5 European Horror Games: Little Red Riding Hood's Zombie BBQ and the European Game Industry PART III Genre, History, and Horror 6 Art, Horror, and International Identity in 1970s Exploitation Films 7 Hollywood's Humanity and Ethics through the Lens of German Filmmakers in the 1930s 8 The Country Bleeds with a Laugh: Social Criticism Meets Horror Genre in José Mojica Marins's À Meia-Noite Levarei Sua Alma PART IV Biology and Bodies 9 Doctor de Sade: A Sadean Approach to Representations of Mad Science in Horror Cinema 10 "You Had Me at 'I'm Dead' ": Porn, Horror, and the Fragmented Body PART V Postcolonial Animals 11 "The Sheep Are Revolting": Becoming-Animal in the Postcolonial Zombie Comedy 12 Horrors of Anthropocentrism: "Improved Animals" on the Islands of Dr. Moreau 13 Horror and Counter-History: Profundo Carmesí Contributors Index

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