Paul Hindemith: A Research and Information Guide

Description

Paul Hindemith: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a musician and teacher. The second edition includes research published since the publication of the first edition and provides electronic resources. Cover Paul Hindemith: A Research and Information Guide Copyright Contents Acknowledgments Introduction 1. Documentary Studies Archives Lists and Indexes Editions of Printed Music Bibliographies of Secondary Literature Iconography 2. Life-And-Works Studies Comprehensive Works Pictorial Works Encyclopedia and Dictionary Essays Miscellaneous Essays Essay Collections Books (Including Program Books) Specialized Journals Journal Issues 3. Hindemith in His Own Words: Autobiographical Materials General Studies Correspondence Diaries Interviews 4. Reminiscences 5. Specialized Life-and-Works Studies Ancestry and Family Teachers Colleagues Studies by Location Activity in Interwar Music Festivals The “Hindemith Case” (Der “Fall Hindemith”) Hindemith as Emigré Religion 6. Hindemith’s Musical World: Ethics, Aesthetics, and the Compositional Process Hindemith and Musical Tradition Reception of Individual Composers Writings and Opinions About the Musical World Studies of Individual Works 7. Hindemith’s Musical Theories and Theoretical Works Unterweisung Im Tonsatz. Theoretischer Teil (Craft I) and General Studies Unterweisung Im Tonsatz. Übungsbücher (Craft II–III) A Concentrated Course in Traditional Harmony Elementary Training for Musicians 8. Hindemith as Teacher General Studies Studies by Location or Institution 9. Hindemith as Performer As Violist As Conductor Early Music Activities 10. Aspects of the Hindemith Reception Collections Early Reception Contemporary American Reception Marxist Receptions The Adorno Reception Initial Postwar European Reception The Avant-Garde Rejection Homages and Memorial Essays The Legacy of the Adorno Reception Recent Assessments 11. General Studies of Hindemith’s Music Comprehensive Studies General Essays Studies of Hindemith’s Use of Folk Elements Studies of Hindemith’s Use of Jazz Elements Studies of Hindemith’s Revisions of His Earlier Works Studies of Periods and Artistic Movements Studies of Specific Technical and Stylistic Aspects Form Studies 12. Works for Stage Operas, Hörspiele, and Plays Ballets 13. Works for Orchestra and Larger Ensembles General Studies Studies of Individual Works and Work Groups 14. Chamber Music General Studies Studies by Instrument Larger Chamber Works 15. Keyboard Music General Studies Studies of Individual Works 16. Choral Music General Studies Large Choral–orchestral Works Unaccompanied Choral Works 17. Solo Vocal Music General Studies Studies of Vocal Works by Period Studies of Individual Vocal Works 18. Music for Children and Amateurs General Studies Hindemith and the Jugendmusikbewegung Studies of Individual Works 19. Music for New Media and Instruments General Studies Film Gramophone Mechanical Piano and Organ Radio Trautonium 20. Arrangements and Editions of Other Composers’ Works Claudio Monteverdi: L’orfeo Perotin: Sederunt Principes Max Reger: Der 100. Psalm Robert Schumann: Violinkonzert D-Moll 21. Studies and Collections of Hindemith’s Drawings Appendix A: List of Hindemith’s Works Musical Works Stage Works Instrumental Works Works for Chamber Ensemble Keyboard Works Vocal Works Works for Electronic and Mechanical Instruments Music for Children and Amateurs Works Written in Composition Lessons Arrangements, Performing Editions, Cadenzas Plays and Other Creative Writing Drawings Writings About Music Appendix B: List of Hindemith’s Recorded Performances As Violist in His Own Works As Pianist in His Own Works As Conductor of His Own Works As Creator of Mechanical Music As Violist in Others’ Works As Conductor of Others’ Works Index