ENGLISH

Transnational Cinematic and Popular Music Icons: Lena Horne, Dorothy Dandridge, and Queen Latifah, 1917-2017

By Aaron Lefkovitz

Book information

Publisher
Lexington Books
Year
2017
ISBN
1498555756, 9781498555753
Language
english
Format
PDF
Filesize
930 kB (952515 bytes)
Pages
146\147
Time added
2021-12-04 05:06:03

Description

Transnational Cinematic & Popular Music Icons: Lena Horne, Dorothy Dandridge, & Queen Latifah, 1917-2017 centers twentieth and twenty-first century black-transnational stereotypes, celebrities, and symbols Lena Horne's, Dorothy Dandridge;s, and Queen Latifah’s transnational popular cultural struggles between domination and autonomy, with a particular emphasis on their films and popular music. Linking each performer to twentieth century U.S., African-American, and global gender histories and noting the intersections of race, gender, sexuality, class, and empire in their overlapping transnational biographies, Transnational Cinematic & Popular Music Icons: Lena Horne, Dorothy Dandridge, & Queen Latifah, 1917-2017 connects Horne, Dandridge, and Latifah to each other and legacies of Hollywood stereotypes and popular music’s internationally-routed politics. Through a close reading of Horne's, Dandridge's, and Latifah’s films and popular music, the performers tie to historic black-transnational caricatures, from the “tragic mulatto” to Sapphire, Mammy, and Jezebel, and additional, non-white female performers, from Josephine Baker to Halle Berry, maneuvering within transnational popular culture industrial matrices and against white supremacist and hetero-patriarchal forces. Table of Contents Introduction Chapter One: Lena Horne Chapter Two: Dorothy Dandridge Chapter Three: Queen Latifah Conclusion Appendix Bibliography Index About the Author

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