Dancing to the Drum Machine: How Electronic Percussion Conquered the World
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What does it mean, in a polarized political climate, that feminism is popular in mainstream pop? Engaging with feminist theory and previous research about gender and music, this book investigates the meaning of current trends relating to gender, feminism and woman-identified artists in mediated popular music. The examples discussed throughout the book include Beyoncé’s concert documentary Homecoming, the Swedish music industry #MeToo petition signed by 2,192 artists, the television show Star and the functions of a music streaming service. The volume discusses the media specificity of the different examples; introduces and explains feminist theories and concepts; and analyses the position of women, gender equality and feminism in mainstream pop music today. Cover Half Title Title Copyright Dedication Contents Epigraph Foreword: Timing Is Everything Acknowledgments Prologue 1 From Boats to Babies: How Drum Machines Began 2 The Rhythm Aces 3 Beat Brothers: Sly Stone and J. J. Cale 4 The Machines Are Fighting Back 5 Teutonic Sonics: Germany and Programmed Rhythm 6 Turn the Beat Around: Eno, Disco, and the Drum Machine 7 Our Drum Machine Could Be Your Band 8 The Drum Machines That Weren’t 9 Punch the Clock: The Joy and Pain of Drum Machine Programming 10 Without Me, You Would Not Have Even Thought About Writing This Book 11 Give the (Electronic) Drummer Some 12 Inside and Outside the Box: The Linn Revolution 13 Have You Seen This New Drum Machine? Shit! 14 808 State 15 Hip Hop’s Electric Guitar 16 Worker Bees of the DMX 17 Destination Emulation 18 Mr. K’s Last Laugh 19 The Mammals Arrive: The Linn 9000 and the End of the Drum Machine 20 Computer Love 21 Time Out of Time Appendix: I Am Echo Index
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