ENGLISH

Materializing Memories: Dispositifs, Generations, Amateurs

By Susan Aasman; Andreas Fickers; Joseph Wachelder (editors)

Book information

Publisher
Bloomsbury Academic
Year
2018
ISBN
9781501333231, 9781501333262, 9781501333255
Language
english
Format
PDF
Filesize
9 MB (9625696 bytes)
Pages
\288
Time added
2023-05-22 07:56:57

Description

A multitude of devices and technological tools now exist to make, share, and store memories and moments with family, friends, and even strangers. Memory practices such as home movies, which originated as the privilege of a few, well-to-do families, have now emerged as ubiquitous and immediate cultures of sharing. Departing from the history of home movies, this volume offers a sophisticated understanding of technologically mediated, mostly ritualized memory practices, from early beginnings in the fin-de-siècle to today. Departing from a longue durée perspective on home movie practices, Materializing Memories moves beyond a strict historical study to grapple with highly theorized fields, such as media studies, memory studies, and science and technology studies (STS). The contributors to this volume reflect on these different intellectual backgrounds and perspectives, but all chapters share a common framework by addressing practices of use, user configurations, and relevant media landscapes. Grasping the cultural dynamics of such multi-faceted practices requires a multidimensional conceptual approach, here achieved by centering around three concepts as central analytical lenses: dispositifs, generations, and amateurs. Cover Half-title Title Copyright Contents Acknowledgments Introduction Part I: Dispositifs 1. Amateur Technologies of Memory, Dispositifs, and Communication Spaces 2. Hybrid Histories: Historicizing the Home Movie Dispositif 3. The Emergence of Early Artists’ Video in Europe and the USA and its Relationship to Broadcast TV 4. Materiality, Practices, Problematizations: What Kind of Dispositif Are Media? 5. How to Grasp Historical Media Dispositifs in Practice? Part II: Generations 6. Belated Screenings of Home Movies: Biographical Storytelling and Generational Referencing 7. The Social Construction of Generations in a Media Society: The Case of Postwar West Germany 8. “Generation Channel 36”: Pirated VHS Tapes and Remembering the Polish People’s Republic in the Age of P2P Networks 9. Becoming YouTube’s Grandad: Media, Age, and Generation in a Virtual Community Part III: Amateurs 10. Amateurs: Naïve Artists or Everyday Experts? 11. Charting Changing Amateur Production Practices: Testimonials of Moviemaking Enthusiasts 12. Home Mode, Community Mode, Counter Mode: Three Functional Modalities for Coming to Terms with Amateur Media Practices 13. “Something More”: The Analysis of Visual Gestalting in Amateur Films List of Contributors Bibliography Index

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