Women's Diaries as Narrative in the Nineteenth-Century Novel

Description

First published in 2009, this book investigates the cultural significance of nineteenth-century women’s writing and reading practices. Beginning with an examination of non-fictional diaries and the practice of diary writing, it assesses the interaction between the fictional diary and other forms of literary production such as epistolary narrative, the periodical, the factual document and sensation fiction. The discrepancies between the private diary and its use as a narrative device are explored through the writings of Frances Burney, Elizabeth Gaskell, Anne Brontë, Dinah Craik, Wilkie Collins and Bram Stoker. It also considers women as writers, readers and subjects and demonstrates ways in which women could become performers of their own story through a narrative method which was authorized by their femininity and at the same time allowed them to challenge the myth of domestic womanhood. This book will be of interest to those studying 19th century literature and women in literature. Cover Half Title Title Copyright Original Title Original Copyright Contents Acknowledgements A Note on Texts Introduction: Performing to Strangers Part 1 The Diary Model 1 The Diary in the Nineteenth Century 2 The Female Diarist in the Nineteenth Century 3 The Diary in Print Part 2 The Diary and Literary Production 4 The Diary and Women Writers 5 The Diary and the Epistolary Form 6 The Diary and Serial Narrative 7 The Diary and the Documentary 8 The Diary and Sensation Fiction Part 3 The Diary as Narrative 9 The Diary Narrating the Novel Bibliography Index