Polyphony in medieval Paris: The art of composing with plainchant
Book information
Description
List of figures List of tables List of musical examples Acknowledgements Manuscript sigla Abbreviations A note on transcriptions and numbering systems Introduction 1. Plainchant in polyphony: the gradual Propter Veritatem in organa, clausulae and motets 2. Mini clausulae and the Magnus Liber Organi 3. Texting clausulae: repetition and regularity on the Regnat tenor 4. Transcribing motets: vernacular refrain melodies in Magnus Liber clausulae 5. Framing motets: quoting and crafting refrains against plainchant tenors 6. Intertextuality, song and female voices in motets on a Saint Elizabeth of Hungary tenor 7. From Florence to Fauvel: re-reading musical paradigms through a long-lived Iohanne motet 8. Conclusions Bibliography Index.
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