ENGLISH

The Visionary Art of William Blake: Christianity, Romanticism and the Pictorial Imagination

By Naomi Billingsley

Book information

Publisher
I.B. Tauris
Year
2018
ISBN
9781350989375, 9781838609665
Language
english
Format
PDF
Filesize
286 MB (299761755 bytes)
Pages
\288
Time added
2023-05-22 12:55:34

Description

William Blake (1757-1827) is considered one of the most singular and brilliant talents that England has ever produced. Celebrated now for the originality of his thinking, painting and verse, he shocked contemporaries by rejecting all forms of organized worship even while adhering to the truth of the Bible. But how did he come to equate Christianity with art? How did he use images and paint to express those radical and prophetic ideas about religion which he came in time to believe? And why did he conceive of Christ himself as an artist: in fact, as the artist, par excellence? These are among the questions which Naomi Billingsley explores in her subtle and wide-ranging new study in art, religion and the history of ideas. Suggesting that Blake expresses through his representations of Jesus a truly distinctive theology of art, and offering detailed readings of Blake's paintings and biblical commentary, she argues that her subject thought of Christ as an artist-archetype. Blake's is thus a distinctively 'Romantic' vision of art in which both the artist and his saviour fundamentally change the way that the world is perceived. Front Cover Author Biography Title Copyright Dedication Contents List of Illustrations Abbreviations Notes on Quotations Preface Introduction Blakeanisms Blake’s Theory of Art and Romantic Aesthetics Religious Art in Blake’s Time Blake’s Work as an Artist Five Themes in Blake’s Religious Aesthetic 1. Regeneration: Resurrection and Apocalypse in Night Thoughts (1795–7) Blake’s Night Thoughts Resurrection and Apocalypse in Night Thoughts Conclusion 2. Inspiration: Illumination and Prophecy in the Biblical Temperas (1799–1800) The Butts Biblical Temperas The Nativity Narratives in Blake’s Oeuvre The Infancy of Christ in the Biblical Temperas Conclusion 3. Facilitator: Ministry as Community-Building in the Biblical Watercolours (1800–6) The Butts Biblical Watercolours Conclusion 4. Eternal: Christ as Universal Human Form Divine (Works of 1805–c.1811) Christ in Cosmic History in Paradise Lost Emblems of Judgement Icons of Divine Humanity An Allegory of the Spiritual Condition of Man Conclusion 5. Iconoclasm: Crucifixion as Self-Annihilation in Late Works (1804–27) The Crucifixion in Art The Crucifixion in Blake’s Oeuvre Jerusalem 76 and Michael Foretells the Crucifixion Envisioning the Crucifixion in Bunyan and Dante Conclusion Conclusion Notes Bibliography Index Back Cover

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