ENGLISH

Music, Collective Memory, Trauma, and Nostalgia in European Cinema after the Second World War

By Michael Baumgartner , Ewelina Boczkowska

Book information

Publisher
Routledge
Year
2020
ISBN
9781138238015, 9781315298450
Language
english
Format
PDF
Filesize
10 MB (10005576 bytes)
Series
Music and Sound on the International Screen
Pages
\323
Time added
2021-03-08 19:24:58

Description

Cover Half Title Series Page Title Page Copyright Page Dedication Contents Introduction PART I: Collective Memory and (Trans-)Nation 1 A Fanfare Floating Beneath Sea Level: Music as a Sonic Lieu de Mémoire of Dutch Cultural Identity on Film 2 Which People’s Music? Witnessing the Popular in the Musicscape of Giuseppe De Santis’s Riso amaro (1949, Bitter Rice) 3 Phantoms of Italian Opera—Cultural Memory in Italian and (West) German Films 4 A Bridge Too Far? Music in the British War Film, 1945–80 PART II: Trauma and Survival 5 Hidden in Plain View: The Music of Holocaust Survival in Poland’s First Post-war Feature Film 6 Empathy, Ethics, and Film Music: Alfred Schnittke and Larisa Shepit’ko’s Voskhozhdenie (1977, The Ascent) 7 Fugue States: Music, Memory, and Trauma in Alain Resnais’s Early 1960s Films 8 Re-Sounding Trauma: Sonic Flashbacks in the Films of Jan Troell PART III: Nostalgia, and the Impossible Returns Home 9 Decomposing Heroism: Rolf Wilhelm’s Music for Radetzkymarsch (1965) 10 The Music of Sacrificial Acts: Displacement, Redemption, Beethoven, and Verdi in Andrei Tarkovsky’s Nostalghia (1983) 11 “Chopin Meant Everything to Us Then”: Chopin Nostalgia in Polish Cinema, 1944–91 12 Returning Home: Critical Nostalgia and French Cinematic Illusion in the Post-war Musical Films of René Clair and Jean Renoir Contributors Index

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