Roma Music and Emotion
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In Roma Music and Emotion, author Filippo Bonini Baraldi forges a much-needed theory of music, emotion, and empathy from an anthropological perspective, addressing the failure of the prevailing psychological theories on music and emotion to account for non-western musical cultures. Bonini Baraldi, having spent years among the Hungarian Roma of rural Transylvania, presents compelling ethnographic descriptions of their weddings, funerals, community celebrations, and intimate family gatherings. Based on extensive field research and informed by hypotheses drawn from the cognitive sciences, the anthropology of art, and aesthetics, Roma Music and Emotion analyzes why Roma musicians cry along with music and how they arouse specific feelings in their audiences. Translated by Margaret Rigaud, and with a Foreword by Steven Feld, Roma Music and Emotion makes an important ethnomusicological contribution to theoretical discussions of the relationship between music and emotion. Content List_of_Figures Foreword Title_Pages Acknowledgments Notes_to_the_English_edition Linguistic_conventions Introduction The_professional_ethics_of_the_Roma_musicians_of_Ceua Village_celebrations How_to_make_music_work_how_to_arouse_emotions After_the_serviceTime_to_party_in_ignie Other_occasions_when_musical_emotions_can_arise_in_ignie A_musical_experience_of_being_inwardly_torn_apart Funerals_and_the_politics_of_emotion The_soundscape_of_a_funeral_wake Musical_emotions_in_the_Roma_community_of_CeuaA_concentric_model Performing_sorrow Personal_tunes Being_milos What_is_musical_empathy Toward_an_anthropological_approach_to_musical_empathy Conclusion Epilogue Glossary Bibliography Discography Filmography List_and_index_of_the_audiovisual_documents Index Plates
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