Björk's Homogenic
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In recent years, Björk's artistry has become ever more ambitious and ever more respected. With the release of her conceptual app-album Biophilia in 2011, and a huge retrospective exhibition at New York's Museum of Modern Art coinciding with her most recent album, Vulnicura, in 2015, her status as artpop auteur has been secured. The album that made all this possible, though is 1997's Homogenic, a turning point in Björk's career and still among her finest musical achievements. Produced under great strain, it moves beyond the stylistic magpie rush of Debut and the urbanophile future-pop of Post, to something darker, stronger and braver, full of dramatic assertions of independence, sharp, stuttering beats, rich strings and raw outbursts of noise. It created, as the Alexander McQueen designed sleeve clearly asserted, a new Björk, one who would never stop hunting. FC Praise for the series: Forthcoming in the series: Title Copyright Contents Tracklist Acknowledgements Introduction: I’m going hunting State of emergency: Björk’s crisis I want to go on a mountain top: Björk’s escape The marvellous web: Björk’s friends Excuse me, but I just have to explode: Björk’s noises You just didn’t know me: Björk’s characters Home, what’s been found: Björk’s national anthems I dare you to take me on: Björk’s loves Brand new tomorrow: Björk’s images Game we’re playing is life: Björk’s virtual realities Notes Selected Bibliography Also available in the series
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