Alive in the writing: crafting ethnography in the company of Chekhov

Description

Story and theory. Taking stock: parts and wholes ; Looking back: the power of first impressions ; Scenes, summaries, events ; Situation, story, theory ; Chekhov as ethnographic muse -- Place. The place of writing ; Passage to more than a place ; The feel of a place ; Others' perceptions ; Landscapes transformed ; Wide angles and close-ups ; Painful places ; The meeting place of texts -- Person. Types and individuals ; The embodied person ; Lives told by things ; Inner biography ; Nonhuman persons ; Imagining across time -- Voice. How voices sound ; Key words, key concepts ; Transcribing conversation and performance ; Quotation and paraphrase ; Pauses, guarded words, words in veiled forms ; Cultivating your own voice -- Self. Narrating ; Explaining ; Evoking ; Transforming ; Reframing ; Connecting ; Postscript writing to be alive. Story and theory. Taking stock: parts and wholes Looking back: the power of first impressions Scenes, summaries, events Situation, story, theory Chekhov as ethnographic muse -- Place. The place of writing Passage to more than a place The feel of a place Others' perceptions Landscapes transformed Wide angles and close-ups Painful places The meeting place of texts -- Person. Types and individuals The embodied person Lives told by things Inner biography Nonhuman persons Imagining across time -- Voice. How voices sound Key words, key concepts Transcribing conversation and performance Quotation and paraphrase Pauses, guarded words, words in veiled forms Cultivating your own voice -- Self. Narrating Explaining Evoking Transforming Reframing Connecting Postscript writing to be alive.