Visioning Technologies: The Architectures of Sight
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Visioning Technologies brings together a collection of texts from leading theorists to examine how architecture has been, and is, reframed and restructured by the visual and theoretical frameworks introduced by different ‘technologies of sight’ – understood to include orthographic projection, perspective drawing, telescopic devices, photography, film and computer visualization, amongst others. Each chapter deals with its own area and historical period of expertise, organized sequentially to mark out and analyse the historical evolution of how architecture has been transformed by technologically induced shifts in human perception from the 15th century until today. This book underlines the way in which architectural forms and design processes have developed historically in conjunction with the systems of sight we manufacture technologically and suggests this continues today. Paradoxically, it is premised on the argument that these technological systems tend, in their initial formulations, to obtain ever greater realism in our visualizations of the physical world. Cover Title Copyright Contents List of figures Contributors Introduction Reproducing reality – a psychological origin of the technological visualisation of space? Neo-formalism: The technological and social evolution of visual representation and the emergence of contemporary optics and architecture PART I Perspective 1 Envisioning geometry: Architecture in the grip of perspective 2 Desargues’ oeuvres: On perspective, optics and conics 3 Galileo’s limit: Mechanical sciences’ technologies of sight and the translation of analogical representations into diagrammatic illustrations PART II Photography 4 The transformative interface: Fragmentation, process and construction in the photographic representation of architecture 5 ‘The great publicist of modern building’: Photography and architecture in the inter-war years 6 Photography and architecture: From technical vision to art and phenomenological (re)vision PART III Film 7 Absorbing cinematic modernism: From the Villa Savoye to the Villa Arpel 8 Fragmented fluidity: A possible future for spatial theory and praxis in filmic form 9 Intersecting frames: Film + architecture PART IV Digital technologies 10 Hyperreality, vision and architecture 11 Rebooting spaceship earth: Astrospatial visions for architecture and urban design 12 Leveraging nature to envision (functional) space: An architecture of machinic abduction Index
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