ENGLISH

More Than Illustrated Music: Aesthetics of Hybrid Media Between Pop, Art and Video

By Kathrin Dreckmann; Elfi Vomberg

Book information

Publisher
Bloomsbury Academic
Year
2023
ISBN
9781501381232, 9781501381263, 9781501381256
Language
english
Format
PDF
Filesize
14 MB (14736587 bytes)
Series
New Approaches to Sound, Music, and Media
Pages
\241
Time added
2023-05-22 03:12:33

Description

The genre of the video clip has been established for more than thirty years, mainly served by the sub genres of video art and music video. This book explores processes of hybridization between music video, film, and video art by presenting current theoretical discourses and engaging them through interviews with well-known artists and directors, bringing to the surface the crucial questions of art practice. The collection discusses topics including postcolonialism, posthumanism, gender, race and class and addresses questions regarding the hybrid media structure of video, the diffusion between content and form, art and commerce as well as pop culture and counterculture. Through the diversity of the areas and interviews included, the book builds on and moves beyond earlier aesthetics-driven perspectives on music video. Half Title Series Page Title Page Copyright Page Contents Figures Introduction Part I: Media Archaeology: The Beginning of Hybrid Media Chapter 1: Music Video and Its Convergence Potential: From the Hybrid to the Permeable Chapter 2: Sound and Vision: Early Artists’ Video and Music Chapter 3: The Process of Creating Was More Important than the Object Part II: Media Archives on Hybrids Chapter 4: It Belongs in a Museum? Music Videos in Danish Museum Exhibitions Chapter 5: No Returns for Dislike: How Music Videos and Video Art Entered the Living Room in the 1980s Chapter 6: An Aura with Pencil, Brushes, and Pixels Part III: Hybrid Imagines: Media Aesthetics between Pop and Identity Chapter 7: You Need to Calm Down—Stardom and Cancel Culture: The Music Video as an Audiovisual Protest Poster Chapter 8: Facing the Lens of the Camera: Bodies, Self-portraiture, Portraiture, and Identity in Women Artists’ Video Chapter 9: Spirit of Creation—between Documenting, Expressing, and Archiving Part IV: Aesthetics of Popular Media Hybrids Chapter 10: Trans* Bowie . . . Trans* Prince Chapter 11: Black Queen and King: Iconographies of Self-empowerment, Canon, and Pop in the Current Music Video Chapter 12: Audiovisual Art Is about Hybridization Part V: Future Aesthetics on Hybrid Media Chapter 13: Music Video Distortion and Posthuman Technogenesis Chapter 14: Untimely Futures and the Art of Revolutionary Life Chapter 15: Feeling Closer to the Track—The Representation of Blackness in Music Video Part VI: Media Art Hybrids Chapter 16: Hold Up: Mapping the Boundaries between Music Video and Video Art Chapter 17: But Still . . . Is It Art?: Contemporary Music Video, Art (Discourse), and Authority—Revisited Chapter 18: Time-Based Media Art in Music Video—One Does Something the Other Cannot Biographies Index

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