ENGLISH

The Routledge Companion to Jane Austen

Book information

Publisher
Routledge
Year
2021
ISBN
0367027291, 9780367027292
Language
english
Format
PDF
Filesize
20 MB (21338162 bytes)
Series
Routledge Literature Companions
Edition
1
Pages
602\623
Time added
2021-09-24 21:16:59

Description

First published anonymously, as ‘a lady’, Jane Austen is now among the world’s most famous and highly revered authors. The Routledge Companion to Jane Austen provides wide-ranging coverage of Jane Austen’s works, reception, and legacy, with chapters that draw on the latest literary research and theory and represent foundational and authoritative scholarship as well as new approaches to an author whose works provide seemingly endless inspiration for reinterpretation, adaptation, and appropriation. The Companion provides up-to-date work by an international team of established and emerging Austen scholars and includes exciting chapters not just on Austen in her time but on her ongoing afterlife, whether in the academy and the wider world of her fans or in cinema, new media, and the commercial world. Parts within the volume explore Jane Austen in her time and within the literary canon; the literary critical and theoretical study of her novels, unpublished writing, and her correspondence; and the afterlife of her work as exemplified in film, digital humanities, and new media. In addition, the Companion devotes special attention to teaching Jane Austen. Cover Half Title Series Page Title Page Copyright Page Contents List of Figures Contributors List of Abbreviations Introduction A 'Companion' Design and Scope Works Cited Part I: Jane Austen's Works 1. Northanger Abbey and the Functions of Metafiction From 'Susan' to Northanger Abbey: Composition, Publication, and Early Reception Complicating Northanger Abbey: Modern Critical Reception Doubly Critical: Northanger Abbey's Metafictional Functions Notes Works Cited 2. Sense and Sensibility, Novel and Phenomenon Sense and Sensibility in Short 'Sense?' 'Sensibility?' From Epistolary to Third Person The Sisters Inheritance, Money, and Power Dull Marriages, Dark Doings, and a Conclusion That Fails to Satisfy Some Readers Note Works Cited 3. Pride and Prejudice: Not Altogether 'light & bright & sparkling' Masterplot and Data-field Mr & Mrs Bennet, née Miss Gardiner 'Not Sensible': Mr Collins' Sensitivity, Miss Lucas's Sense, Mrs Collins' Sensibility He-Entail and its She-Discontents The Indexed Historical World: Histrionic Evil and Wretched Events Edgy Advantage: Elizabeth Bennet, Mrs Fitzwilliam Darcy "What say you, Mary?" Notes Work Cited 4. The Novelty of Mansfield Park Fanny's Recessive Disposition The Narrator and Her Protagonist The Place of Antigua Notes Works Cited 5. Emma, a Heroine Notes Works Cited 6. The Politics of Friendship in Persuasion Critical Overview Friendship in Persuasion Notes Works Cited 7. The Historical and Cultural Aspects of Jane Austen's Letters Notes Works Cited 8. 'Setting at Naught All Rules of Probable or Possible': Jane Austen's 'Juvenilia' Notes Works Cited Part II: Historicising Austen: A Sampling 9. Touching upon Jane Austen's Politics Note Works Cited 10. 'A Picture of Real Life and Manners'? Austen, Burney, and Edgeworth Notes Works Cited 11. Jane Austen and the Georgian Novel Notes Works Cited 12. From Samplers to Shakespeare: Jane Austen's Reading Notes Works Cited 13. Pedestrian Characters and Plots: Persuasion and The Heart of Midlothian Notes Works Cited 14. From Jewelled Toothpick-Cases to Blue Nankin Boots: Austen, Consumerist Culture, and Narrative Notes Works Cited 15. 'Bringing Her Business Forward': Jane Austen and Political Economy Reading and Judging Value Forging Currency, Forging Trust A Question of Improvement Notes Works Cited 16. Material Goods in Austen's Novels Notes Works Cited 17. Jane Austen and Music Notes Works Cited 18. 'All the Egotism of an Invalid': Hypochondria as Form in Jane Austen's Sanditon Notes Works Cited 19. Jane Austen and the Whitewashed Past Notes Works Cited 20. They Came Before and After Olivia: Cats, Black Ladies and Political Blackness in Eighteenth-Century British Literature and Austen Notes Works Cited Part III: Critical Approaches to Austen: A Sampling 21. Hearing Voices in Austen: The Representation of Speech and Voice in the Novels Introduction The Author's Voice Romantic Voice Culture Austen's Representation of Character Speech Works Cited 22. Being Plotted, Being Thrown: Austen's Catch and Release Notes Works Cited 23. Austen's Literary Time Notes Works Cited 24. Austen, Masculinity, and Romanticism Introduction Reading Austen's Men Austen and Her Early Readers Modern Interpretations Masculine Subjectivity: A New Approach to Interpretation Austen's Men as Cultural Icons Austen's Men, Romantic Love and Romanticism: Pride and Prejudice and Persuasion New Directions Works Cited 25. Jane Austen Likes Women: Self-Worth, Self-Care, and Heroic Self-Sacrifice Notes Works Cited 26. 'Queer Austen' and Northanger Abbey Austen, Queer Theory, and Literary History Queer Northanger Abbey Notes Works Cited 27. 'A Perfectly Swell Romance': Jane Austen and Fred Astaire: A Case Study in Analogy Criticism Notes Works Cited 28. Translating Jane Austen: World Literary Space and Isabelle de Montolieu's La Famille Elliot (1821) La Famille Elliot's Reception History Free-Indirect Discourse in Persuasion and La Famille Elliot World Literary Space and Jane Austen's Reception Histories Notes Works Cited 29. Jane Austen and the Social Sciences Evolutionary Studies Theory of Mind Austen and Social Science Methodology Austen and Attachment Studies Jane Austen, Social Scientist Notes Works Cited Part IV: Austen's Communities: A Sampling 30. Persuasions: The Jane Austen Journal and Persuasions On-Line: 'Formed for [an] Elegant and Rational Society' Notes Works Cited 31. 'It is Such a Happiness When Good People Get Together': JAS and JASNA Introduction Jane Austen Society Jane Austen Society of North America Cross-Continental Connections Representations in Academic Writing & Popular Culture Conclusion Acknowledgements Notes Works Cited 32. Live Austen Adaptation in the Age of Multimedia Reproduction Why Is Jane Austen On Stage? Staging Austen For Whom the Bell Tolls: Kate Hamill's Pride and Prejudice Of Karaoke and Bonnets Emma, Interrupted Making Austen Musical: From Burrows to Taylor to Today Thoroughly Modern Emma Cinderella for a New Age 'Fighting for the Future': Improvised Austen Coda: Some Concluding Thoughts Notes Works Cited 33. 'You do not know her or her heart': Minor Character Elaboration in Contemporary Austen Spin-Off Fiction Notes Works Cited 34. Jane Goes Gaga: Austen as Celebrity and Brand Lady Jane A Date with a Celeb Branding Jane Notes Works Cited 35. Global Jane Austen: Obstinate, Headstrong Pakistanis Works Cited 36. Race, Class, Gender Remixed: Reimagining Pride and Prejudice in Communities of Colour Works Cited 37. Writing Community: Some Thoughts about Jane Austen Fanfiction Works Cited Part V: Teaching Jane Austen: A Sampling 38. Teaching Jane Austen in the Twenty-first Century Prelude: 'First Impressions' Case 1: Mapping Case 2: Pitching Case 3: Financial Dossiers Case 4: Speaking Objects Case 5: Documents Conclusion 39. Close Reading and Close Looking: Teaching Austen Novels and Films Beginning the Class Close Reading Close Looking Outcomes Acknowledgements Notes Works Cited Appendix: Resources 40. Myth, Reality, and Global Celebrity: Teaching Jane Austen Online Introduction: The Business of Bicentenaries Texts in Context: Recreating Austen's World Making Jane Austen: Biography, Adaptation, Myth Global Jane Austen Conclusion CODA Notes Works Cited 41. Epistemic Injustice in Pride and Prejudice and Mansfield Park; Or, What Austen Teaches Us about Mansplaining and White Privilege Method and Theory Austen's Epistemic Injustice, Beyond White Privilege Conclusion Notes Works Cited 42. Race, Privilege, and Relatability: A Practical Guide for College and Secondary Instructors Addressing Privilege Points of Connection Notes Works Cited 43. Austen's Belief in Education: Sōseki, Nogami, and Sensibility Natsume Sōseki as a Marker of Modernity Women's Education and Nogami Yaeko Nogami's Creative Adaptation of Austen's Pride and Prejudice Conclusion Notes Works Cited 44. Teaching Jane Austen through Public Humanities: The Jane Austen Summer Program Austen in the Southern Part of Heaven JASP and Its Format JASP Content/Themes Pedagogy, Teachers, and Education Advocacy The Anatomy of the JASPer 'Who Could Be in Doubt of What Followed?' Notes Works Cited Index

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