ENGLISH

Global perspectives on orchestras: collective creativity and social agency

By Tina K. Ramnarine (editor)

Book information

Publisher
Oxford University Press
Year
2018
ISBN
0199352224, 9780199352227
Language
english
Format
PDF
Filesize
16 MB (16842576 bytes)
Series
Studies in Musical Performance as Creative Practice
Volume
4
Pages
399\416
Topic
Art Music
Time added
2020-02-13 23:51:23
Music; Education; PerformanceOrchestras; Musicology; Global Music; Creativity

Description

Offering innovative approaches to thinking about orchestras, Global Perspectives on Orchestras: Collective Creativity and Social Agency adopts ethnographic, historical and comparative perspectives on a variety of traditions, including symphony, Caribbean steel, Indonesian gamelan, Indian film and Vietnamese court examples. The volume presents compelling analyses of orchestras in their socio-historical, economic, intercultural and postcolonial contexts, while emphasizing the global and historical connections between musical traditions. By drawing on new ethnographic and historical data, the essays describe orchestral creative processes and the politics shaping performance practices. Each essay considers how musicians work together in ensembles, focusing on issues such as training, rehearsal, creative choices, compositional processes, and organizational infrastructures. Testimonies of orchestral musicians highlight practitioners' views into the diverse world of orchestras. As a whole, the volume discusses the creative roles of performers, arrangers, composers and arts agencies, as well as the social environments supporting musical collaborations. With contributions from an international team of researchers, Global Perspectives on Orchestras offers critical insights gained from the study of orchestras, collective creativity and social agency, and the connections between orchestral performances, colonial histories, postcolonial practices, ethnographic writings and comparative theorizations. Global Perspectives on Orchestras Contents List Of Contributors List Of Illustrations Introduction Part 1 Community and capital in orchestral contexts 1 Cultural demand and supply in an imperial trading centre 2 Context, community and social capital in the governance of a New Zealand orchestra 3 Musical ambition and community-building in Trinidad and Tobago’s steel orchestras 4 Steel orchestras and tassa bands 5 Pioneering the orchestraowned label Part 2 6 Voices on the wind 7 The women’s international gamelan group at the Pondok Pekak 8 Gamelanesque effects 9 ‘Every town our home town’ 10 Orchestra and song 11 The Hindi film orchestra 12 Orchestras and musical intersections with regimental bands, blackface minstrel troupes, and jazz in India, 1830s– 1940s Part 3 13 Tiki Taane’s With Strings Attached 14 State orchestras and multiculturalism in Singapore 15 The British symphony orchestra and the Arts Council of Great Britain 16 Orchestrating the nation 17 Orchestral connections in the cultures of decolonization Notes Index

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