The Nazi Past in Contemporary German Film: Viewing Experiences of Intimacy and Immersion

Description

How has the German image of the Nazi past changed since the reunification of East and West Germany? And what role have cinema and television played in this process? This intriguing study argues that since 1990, the two media have turned toward inner German experiences of the Third Reich. From intimate portrayals of ordinary Germans and Nazi leaders to immersive spectacles of war and defeat, German film has focused on portraying the Nazi past from within. Stimulating and accessible, combining close readings with broad contextualization, this monograph shows how profoundly cinema and television have transformed collective remembrance of the Third Reich. The first publication on the topic to embrace the two decades since 1990, it provides a comprehensive account of cinema and television productions, presenting case studies of national film events such as Stalingrad (1993) and Downfall (2004), and assessing the influence of international blockbusters from Schindler's List/ (1993) to The Reader (2008). Targeted at a wide readership, the book will be a central reference point for university teachers offering courses on German film or cultural memory, will give guidance to both undergraduate and postgraduate students, and will make a lasting impact on research in the field of German screen cultures. Axel Bangert holds a doctorate from the Faculty of Modern and Medieval Languages, University of Cambridge. Previously a Junior Research Fellow at Homerton College, Cambridge, he is an Adjunct Professor at New York University Berlin where he teaches German Cinema Studies. Frontcover......Page 1 Contents......Page 8 List of Illustrations......Page 10 Acknowledgments......Page 12 List of Abbreviations......Page 14 Introduction......Page 16 Shameful Exposures: Documenting Personal Stories and Family Histories......Page 38 Intimate Insights: Portraying Nazi Leaders and Resistance Activists......Page 55 2: Seductive Encounters with Nazi Perpetrators......Page 70 Monstrous Fascinations: Face to Face with Evil......Page 73 Homoerotic Attractions: Inside the Third Reich......Page 93 3: Immersive Spectacles of Public Pasts......Page 117 A Hollywood Aesthetics of German Trauma......Page 120 Event Television and Media Convergence......Page 141 4: Unifying Legacies of National History?......Page 151 The Holocaust at Home......Page 153 The Loss of “Heimat”......Page 160 A Herit age of Destruction......Page 167 Conclusion......Page 177 Filmography......Page 186 Bibliography......Page 192 Index......Page 204