Hereafter Knowing in Sonnets and Their Similars

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Hereafter Knowing in Sonnets and Their Similars explores the work of prominent poets through a philosophical and theological lens. It focuses on the well-travelled yet precarious achievement that is Petrarch’s writing of the sonnet in Italian, his English successors Wyatt and Spenser with their own amatory strategies, and how Shakespeare’s sonnets turn the many difficult corners for imagining a writing against the untimely. Its reach includes ancient, medieval, and modern philosophy; scripture; patristic theology; Renaissance and contemporary poetry; and numerous language traditions including Greek, Latin, Italian, French, German, and English. Robert Mueller explores a set of writers who address themselves to manifestations of the Other—for Dan Machlin to the place of Body, for Augustine to his wanting to know the Lord, for Petrarch to the honor of Love—alongside Aristotelian and other forms of epistemology. Through exacting, insightful, and original readings of these writers, Mueller analyzes the circuits and relations that connect them to those they address, with particular attention, especially for Sharon Dolin, to living their lives in these relations, and also to the temporal positions they adopt among the similar expressions of longing and seeking. The book offers new readings of canonical and noncanonical texts and assembles a singular archive of writers across many centuries and language traditions. Cover Half Title Title Page Contents Acknowledgments Preposterous Introduction The difficulties. The kinds. For those who wait. At first, there shall be the last. All of these questions. For the reader who is being encouraged time and again. Chapter 1: Address to Existence: Proof in the Approach and Falling Notes Chapter 2: Address to Deus Meus: Desire to Praise on the Verge of Knowing and Time The lord is dearly to be praised. It is like the breaking of bread. The reader discerns linear bodies. The amaze of eternity plays out analogously. The incursive demands engineer their escape. What appears as composure, what as ultimate joy? Apparent avoidance meets inveigling sheen. Temps psychologique is chief. Writing obeys a law. The mind is on fire. A revelation is prepared. Yet what kind of intelligence is this? What sort of fear is this? What starts the questioning over? Notes Chapter 3: Address to Finality: Ferocious Refraction and the Debates That Refuse Retraction Notes Chapter 4: Address to the Angels and Archangels: A Reprise without End in Similars Notes Bibliography Index About the Author