Black, Brown & Beige. surrealism writing from Africa and Diaspora
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Texas: University of Texas Press,.2009.—416p.—ISBN-978-0-292-71997-2In the vast critical literature on surrealism, all but a few black surrealists have been invisible. Despite mounting studies of Aimé Césaire, Wifredo Lam, Ted Joans, and, more recently, Jayne Cortez, academic histories and anthologies typically, but very wrongly, persist in conveying surrealism as an all-white movement, like other “artistic schools” of European origin. Occasional token mentions aside, people of color—and more particularly those from Africa or the Diaspora—have been excluded from most of the so-called standard works on the subject.
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