American Revenge Narratives
Book information
Description
American Revenge Narratives critically examines the nation’s vengeful storytelling tradition. With essays on late twentieth and twenty-first century fiction, film, and television, it maps the coordinates of the revenge genre’s contemporary reinvention across American culture. By surveying American revenge narratives, this book measures how contemporary payback plots appraise the nation’s political, social, and economic inequities. The volume’s essays collectively make the case that retribution is a defining theme of post-war American culture and an artistic vehicle for critique. In another sense, this book presents a scholarly coming to terms with the nation’s love for vengeance. By investigating recent iterations of an ancient genre, contributors explore how the revenge narrative evolves and thrives within American literary and filmic imagination. Taken together, the book’s diverse chapters attempt to understand American culture’s seemingly inexhaustible production of vengeful tales. Front Matter ....Pages i-xv Introduction (Kyle Wiggins)....Pages 1-18 Front Matter ....Pages 19-19 Wakening “The Eyes of Dreamers”: Revenge in Carson McCullers’s The Ballad of the Sad Café (Lisa Hoffman-Reyes)....Pages 21-40 Toni Morrison’s Beloved: A Tragedy of Revenge and Reparation (Maureen E. Ruprecht Fadem)....Pages 41-80 Masculinity in Don DeLillo’s White Noise: Mapping the Self, Killing the Other (Michael James Rizza)....Pages 81-98 From Revenge to Restorative Justice in Louise Erdrich’s The Plague of Doves, The Round House, and LaRose (Seema Kurup)....Pages 99-117 The Great (White) Wail: Percival Everett’s The Water Cure and Thomas Jefferson’s Notes on the State of Virginia (Beth A. McCoy)....Pages 119-151 The Modern American Revenge Story (Kyle Wiggins)....Pages 153-173 Front Matter ....Pages 175-175 “What if Nature Were Trying to Get Back at Us?”: Animals as Agents of Nature’s Revenge in Horror Cinema (Michael Fuchs)....Pages 177-206 A Cinema of Vengeance: Vietnam Veterans, Traumatic Recovery, and Historical Revisionism in 1980s Hollywood (Marc Diefenderfer)....Pages 207-226 Vengeance Is Mine: Gender and Vigilante Justice in Mainstream Cinema (Paul Doro)....Pages 227-244 “Revenge, at First Though Sweet, / Bitter Ere Long Back on Itself Recoils”: Patriarchy and Revenge in Unforgiven and True Grit (Jim Daems)....Pages 245-261 Tearing Down the Eiffel Tower: Post-9/11 Fears and Fantasies in Taken (Terence McSweeney)....Pages 263-284 Back Matter ....Pages 285-288
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