ENGLISH

Understanding movies

By Louis D. Giannetti

Book information

Publisher
Pearson
Year
2014
ISBN
9780205856169, 0205856160
Language
english
Format
PDF
Filesize
58 MB (60634068 bytes)
Edition
13th
Pages
550\577
Topic
Art Cinema
Time added
2018-01-11 03:58:52
Películas cinematográficas -- Obras ilustradas;P

Description

A readable, accessible introduction to film Understanding Movies provides valuable insight into how movies communicate and convey meaning to their audiences through a unique network of language systems and techniques. In a readable, accessible, and sometimes humorous manner, Understanding Movies engages students in the fascinating language of film and helps further their appreciation and understanding of why and how movie watchers respond as they do to different films. Organized around elements of film, the thirteenth edition of this market leading text provides students with a new way of looking at films that are familiar to them through contemporary coverage and a visually engaging presentation. Learning Goals Upon completing this book, readers will be able to: Understand film as an industry Discuss the impact of technology on the film industry Chapter 1: Photography - Realism and Formalism - The Shots - The Angles - Light and Dark - Color - Lenses, Filters, and Stocks The Digital Revolution - The Cinematographer - Further Reading Chapter 2: Mise en Scene - The Frame - Composition and Design - Territorial Space Proxemic Patterns - Open and Closed Forms - Further Reading Chapter 3: Movement - Kinetics - The Moving Camera - Mechanical Distortions of Movement - Further Reading Chapter 4: Editing - Continuity - D. W. Griffith and Classical Cutting - Soviet Montage and the Formalist Tradition - Andre Bazin and the Tradition of Realism - Further Reading Chapter 5: Sound - Historical Background - Sound Effects - Music - Musicals - Spoken Language - Further Reading Chapter 6: Acting - Stage and Screen Acting - The American Star System - Styles of Acting - Casting - Further Reading Chapter 7: Dramatization - Time, Space, and Language - The Director - Settings and Decor - Costumes and Makeup - Further Reading Chapter 8: Story - Narratology - The Spectator - The Classical Paradigm - Realistic Narratives - Formalistic Narratives - Nonfictional Narratives - Genre and Myth - Further Reading Chapter 9: Writing - The Screenwriter - The Screenplay - North by Northwest: the Screenplay - Figurative Comparisons - Point of View - Literary Adaptations - Further Reading Chapter 10: Ideology - The Left-Center-Right Model - Culture, Religion, and Ethnicity - Feminism - Queer Cinema - Tone - Further Reading Chapter 11: Critique - Theories of Realism - Formalist Film Theories - The Auteur Theory - Eclectic and Synthesizing Approaches - Structuralism and Semiology - Historiography - Further Reading Chapter 12: Synthesis - Photography - Mise En Scene - Movement - Editing - Sound - Acting - Dramatization - Story - Writing - Ideology - Critique - Further Reading

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